Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

A new Cathedral

Beyond the harmony of proportions

Worship services

Transformations over the centuries

A tree full of life

The side Portico: a combination of elegance and lightness of form

The towers facing the facade used as bell towers

The side aisles

The Great Presbytery: a unique space for the cathedral

Under the crosses of the Bema

The balance between architecture and light

A space between the visible and the invisible

The chapel of the crucifix: an artistic casket based on a previous model

Ecclesia munita

The towers and the western facade

The original design

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Squaring the circle

From the main gate to the aisles: an invitation to a journey of faith

Norman religious architecture with islamic influences in Sicily

A compositional design that combines nordic examples with new artistic languages, over the centuries

The area of the Sanctuary

The king’s mark

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Virgin Hodegetria

From the Mosque to the Cathedral

The Kings’ Cathedrals

Roger II of hauteville: a sovereign protected by God

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Gualtiero Cathedral

The Cathedral over the centuries

The chapel of St. Benedict

The longest aisle

The Bible carved in stone

The Great Restoration

The mosaics of the apses

Characteristics of religious architecture in the romanesque period

Tempus fugit: a strategic project implemented in a short period of time

Roger II’s strategic design

Two initially similar towers, varied over time

A Northern population

The beginning of the construction site

The dialogue between the architectures of the monumental complex

The links between the hauteville family and the monastic orders in Sicily

The cultural substrate through time

Interior decorations

The southern portico

The liturgical spaces of the protesis and the diaconicon

A mixture of styles pervades the floor decorations

Cefalù: settlement evidence through time

The construction of Monreale Cathedral: between myth and history

The chapel of san Castrense: an important renaissance work

Mosaic decoration

The chystro: a place between earth and sky

The medieval city amidst monasticism and feudal aristocracy

The transformations of the hall through the centuries

The cemetery of kings

The Chapel of the Kings

Porphyry sarcophagi: royalty and power

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A polysemy of high-level artistic forms and content

Palermo: the happiest city

Survey of the royal tombs

The columns of the nave: the meticulous study of the overall order

A cloister of accentuated stylistic variety

A chapel by an unknown designer based on repeated symmetries

The decorated facade

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Gardens and architecture as a backdrop to the city of Palermo

The mosaics of the presbytery

The senses tell Context 1

A remarkable ceiling

A controversial interpretation

A palimpsest of history

The stone bible

Artistic elements in Peter’s ship

Layers of different cultures decorate the external apses

The rediscovered chapel

The chorus: beating heart of the cathedral

The Chapel of St. Mary Magdalene

The lost chapel