Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

The Cathedral over the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Squaring the circle

The Great Restoration

The stone bible

The cemetery of kings

The construction of Monreale Cathedral: between myth and history

The chorus: beating heart of the cathedral

A space between the visible and the invisible

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A new Cathedral

Two initially similar towers, varied over time

From the main gate to the aisles: an invitation to a journey of faith

The Chapel of the Kings

The cultural substrate through time

Interior decorations

Layers of different cultures decorate the external apses

The liturgical spaces of the protesis and the diaconicon

Under the crosses of the Bema

Gardens and architecture as a backdrop to the city of Palermo

Artistic elements in Peter’s ship

A cloister of accentuated stylistic variety

The rediscovered chapel

The southern portico

The lost chapel

The side aisles

Norman religious architecture with islamic influences in Sicily

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Worship services

The medieval city amidst monasticism and feudal aristocracy

The towers and the western facade

Palermo: the happiest city

A controversial interpretation

From the Mosque to the Cathedral

The original design

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The area of the Sanctuary

The chapel of St. Benedict

Ecclesia munita

Cefalù: settlement evidence through time

The towers facing the facade used as bell towers

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A polysemy of high-level artistic forms and content

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the apses

Mosaic decoration

A Northern population

A tree full of life

The dialogue between the architectures of the monumental complex

The senses tell Context 1

Roger II’s strategic design

Characteristics of religious architecture in the romanesque period

The side Portico: a combination of elegance and lightness of form

The mosaics of the presbytery

Survey of the royal tombs

The transformations of the hall through the centuries

The chapel of san Castrense: an important renaissance work

The beginning of the construction site

Tempus fugit: a strategic project implemented in a short period of time

The Virgin Hodegetria

The Chapel of St. Mary Magdalene

The longest aisle

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Great Presbytery: a unique space for the cathedral

The Gualtiero Cathedral

The chapel of the crucifix: an artistic casket based on a previous model

Transformations over the centuries

The columns of the nave: the meticulous study of the overall order

The decorated facade

The balance between architecture and light

A remarkable ceiling

Porphyry sarcophagi: royalty and power

The links between the hauteville family and the monastic orders in Sicily

The Kings’ Cathedrals

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II of hauteville: a sovereign protected by God

A palimpsest of history

The Bible carved in stone

A mixture of styles pervades the floor decorations

Beyond the harmony of proportions

The chystro: a place between earth and sky

The king’s mark

A chapel by an unknown designer based on repeated symmetries