Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

The Gualtiero Cathedral

Two initially similar towers, varied over time

The Chapel of St. Mary Magdalene

A remarkable ceiling

The Great Presbytery: a unique space for the cathedral

The chapel of the crucifix: an artistic casket based on a previous model

The construction of Monreale Cathedral: between myth and history

The chorus: beating heart of the cathedral

The side Portico: a combination of elegance and lightness of form

The Chapel of the Kings

The towers and the western facade

The chystro: a place between earth and sky

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A tree full of life

The cemetery of kings

The cultural substrate through time

The Cathedral over the centuries

A polysemy of high-level artistic forms and content

Roger II of hauteville: a sovereign protected by God

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chapel of san Castrense: an important renaissance work

Mosaic decoration

Beyond the harmony of proportions

Worship services

The senses tell Context 1

The balance between architecture and light

From the main gate to the aisles: an invitation to a journey of faith

The links between the hauteville family and the monastic orders in Sicily

The towers facing the facade used as bell towers

Cefalù: settlement evidence through time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Ecclesia munita

The side aisles

The beginning of the construction site

The columns of the nave: the meticulous study of the overall order

Layers of different cultures decorate the external apses

The area of the Sanctuary

The Bible carved in stone

A mixture of styles pervades the floor decorations

From the Mosque to the Cathedral

The Great Restoration

Interior decorations

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The transformations of the hall through the centuries

The stone bible

Norman religious architecture with islamic influences in Sicily

Porphyry sarcophagi: royalty and power

A controversial interpretation

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The longest aisle

The original design

The Kings’ Cathedrals

The lost chapel

Transformations over the centuries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The southern portico

The decorated facade

A chapel by an unknown designer based on repeated symmetries

Palermo: the happiest city

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A Northern population

A palimpsest of history

Survey of the royal tombs

Artistic elements in Peter’s ship

Tempus fugit: a strategic project implemented in a short period of time

The king’s mark

Roger II’s strategic design

Squaring the circle

The mosaics of the presbytery

The rediscovered chapel

The Virgin Hodegetria

The liturgical spaces of the protesis and the diaconicon

A space between the visible and the invisible

The dialogue between the architectures of the monumental complex

A new Cathedral

A cloister of accentuated stylistic variety

The chapel of St. Benedict

The mosaics of the apses

Under the crosses of the Bema

Gardens and architecture as a backdrop to the city of Palermo

The medieval city amidst monasticism and feudal aristocracy

Characteristics of religious architecture in the romanesque period

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure