Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

The original design

From the main gate to the aisles: an invitation to a journey of faith

Beyond the harmony of proportions

The construction of Monreale Cathedral: between myth and history

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A space between the visible and the invisible

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chapel of the crucifix: an artistic casket based on a previous model

Two initially similar towers, varied over time

A remarkable ceiling

The towers facing the facade used as bell towers

A mixture of styles pervades the floor decorations

The medieval city amidst monasticism and feudal aristocracy

The king’s mark

A new Cathedral

The links between the hauteville family and the monastic orders in Sicily

The towers and the western facade

Roger II of hauteville: a sovereign protected by God

A compositional design that combines nordic examples with new artistic languages, over the centuries

A tree full of life

A chapel by an unknown designer based on repeated symmetries

The columns of the nave: the meticulous study of the overall order

The mosaics of the apses

The lost chapel

The southern portico

Roger II’s strategic design

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Mosaic decoration

The senses tell Context 1

The side aisles

The Kings’ Cathedrals

Characteristics of religious architecture in the romanesque period

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Under the crosses of the Bema

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The longest aisle

The side Portico: a combination of elegance and lightness of form

Survey of the royal tombs

The chystro: a place between earth and sky

The stone bible

Cefalù: settlement evidence through time

Squaring the circle

A Northern population

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The area of the Sanctuary

The chapel of St. Benedict

The Great Presbytery: a unique space for the cathedral

The mosaics of the presbytery

The beginning of the construction site

The rediscovered chapel

The Gualtiero Cathedral

The liturgical spaces of the protesis and the diaconicon

Porphyry sarcophagi: royalty and power

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Chapel of the Kings

Palermo: the happiest city

The chapel of san Castrense: an important renaissance work

The balance between architecture and light

Worship services

Artistic elements in Peter’s ship

From the Mosque to the Cathedral

The Chapel of St. Mary Magdalene

The Great Restoration

Gardens and architecture as a backdrop to the city of Palermo

The cemetery of kings

The Cathedral over the centuries

Interior decorations

Layers of different cultures decorate the external apses

The transformations of the hall through the centuries

A cloister of accentuated stylistic variety

The Bible carved in stone

A palimpsest of history

Tempus fugit: a strategic project implemented in a short period of time

The cultural substrate through time

Transformations over the centuries

The decorated facade

A controversial interpretation

Ecclesia munita

The chorus: beating heart of the cathedral

Norman religious architecture with islamic influences in Sicily

The Virgin Hodegetria

The dialogue between the architectures of the monumental complex

A polysemy of high-level artistic forms and content