Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

A space between the visible and the invisible

The construction of Monreale Cathedral: between myth and history

The Great Presbytery: a unique space for the cathedral

Layers of different cultures decorate the external apses

The Gualtiero Cathedral

A polysemy of high-level artistic forms and content

The chapel of san Castrense: an important renaissance work

The beginning of the construction site

The stone bible

A new Cathedral

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Kings’ Cathedrals

Ecclesia munita

The mosaics of the presbytery

The balance between architecture and light

The Virgin Hodegetria

The towers facing the facade used as bell towers

The Great Restoration

The decorated facade

The liturgical spaces of the protesis and the diaconicon

Norman religious architecture with islamic influences in Sicily

A chapel by an unknown designer based on repeated symmetries

Roger II of hauteville: a sovereign protected by God

Two initially similar towers, varied over time

Beyond the harmony of proportions

Roger II’s strategic design

The chorus: beating heart of the cathedral

A Northern population

The senses tell Context 1

Gardens and architecture as a backdrop to the city of Palermo

The cultural substrate through time

The chapel of the crucifix: an artistic casket based on a previous model

The rediscovered chapel

Characteristics of religious architecture in the romanesque period

The Chapel of St. Mary Magdalene

From the main gate to the aisles: an invitation to a journey of faith

The links between the hauteville family and the monastic orders in Sicily

Porphyry sarcophagi: royalty and power

The side aisles

Mosaic decoration

A cloister of accentuated stylistic variety

A tree full of life

The Bible carved in stone

The dialogue between the architectures of the monumental complex

The cemetery of kings

The southern portico

A remarkable ceiling

The original design

The chystro: a place between earth and sky

The Chapel of the Kings

Under the crosses of the Bema

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The area of the Sanctuary

The lost chapel

The mosaics of the apses

The columns of the nave: the meticulous study of the overall order

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A palimpsest of history

A controversial interpretation

A mixture of styles pervades the floor decorations

The transformations of the hall through the centuries

The medieval city amidst monasticism and feudal aristocracy

Palermo: the happiest city

The longest aisle

The chapel of St. Benedict

Interior decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

Transformations over the centuries

Cefalù: settlement evidence through time

Artistic elements in Peter’s ship

Squaring the circle

Survey of the royal tombs

From the Mosque to the Cathedral

The king’s mark

Tempus fugit: a strategic project implemented in a short period of time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The towers and the western facade

The side Portico: a combination of elegance and lightness of form

Worship services

The Cathedral over the centuries