Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

Characteristics of religious architecture in the romanesque period

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chapel of san Castrense: an important renaissance work

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Chapel of St. Mary Magdalene

The transformations of the hall through the centuries

Two initially similar towers, varied over time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Palermo: the happiest city

A controversial interpretation

Gardens and architecture as a backdrop to the city of Palermo

The Great Presbytery: a unique space for the cathedral

The columns of the nave: the meticulous study of the overall order

A remarkable ceiling

The Great Restoration

Worship services

The lost chapel

The original design

The towers facing the facade used as bell towers

The mosaics of the presbytery

Interior decorations

The side Portico: a combination of elegance and lightness of form

The side aisles

From the main gate to the aisles: an invitation to a journey of faith

Roger II’s strategic design

The liturgical spaces of the protesis and the diaconicon

Tempus fugit: a strategic project implemented in a short period of time

A cloister of accentuated stylistic variety

The cultural substrate through time

Beyond the harmony of proportions

Norman religious architecture with islamic influences in Sicily

The longest aisle

The links between the hauteville family and the monastic orders in Sicily

The chystro: a place between earth and sky

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The southern portico

The Gualtiero Cathedral

Squaring the circle

A tree full of life

A Northern population

The dialogue between the architectures of the monumental complex

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A palimpsest of history

The balance between architecture and light

The chapel of the crucifix: an artistic casket based on a previous model

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Bible carved in stone

A chapel by an unknown designer based on repeated symmetries

Layers of different cultures decorate the external apses

Roger II of hauteville: a sovereign protected by God

The Cathedral over the centuries

The cemetery of kings

The construction of Monreale Cathedral: between myth and history

Survey of the royal tombs

The mosaics of the apses

The Kings’ Cathedrals

The area of the Sanctuary

A space between the visible and the invisible

The senses tell Context 1

A polysemy of high-level artistic forms and content

Cefalù: settlement evidence through time

The beginning of the construction site

The Chapel of the Kings

The chorus: beating heart of the cathedral

The chapel of St. Benedict

The Virgin Hodegetria

The stone bible

Ecclesia munita

A mixture of styles pervades the floor decorations

The king’s mark

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The medieval city amidst monasticism and feudal aristocracy

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Artistic elements in Peter’s ship

The towers and the western facade

The rediscovered chapel

Porphyry sarcophagi: royalty and power

The decorated facade

A new Cathedral

Under the crosses of the Bema

From the Mosque to the Cathedral

Transformations over the centuries

Mosaic decoration