Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

Beyond the harmony of proportions

Two initially similar towers, varied over time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A polysemy of high-level artistic forms and content

Ecclesia munita

The longest aisle

A remarkable ceiling

The mosaics of the presbytery

The columns of the nave: the meticulous study of the overall order

Roger II of hauteville: a sovereign protected by God

The towers facing the facade used as bell towers

Mosaic decoration

The medieval city amidst monasticism and feudal aristocracy

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A new Cathedral

A tree full of life

The chapel of St. Benedict

The chapel of san Castrense: an important renaissance work

The dialogue between the architectures of the monumental complex

The Great Presbytery: a unique space for the cathedral

The Chapel of the Kings

The mosaics of the apses

Under the crosses of the Bema

The Cathedral over the centuries

Roger II’s strategic design

The beginning of the construction site

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A palimpsest of history

The Gualtiero Cathedral

The transformations of the hall through the centuries

Artistic elements in Peter’s ship

A cloister of accentuated stylistic variety

Layers of different cultures decorate the external apses

A mixture of styles pervades the floor decorations

The liturgical spaces of the protesis and the diaconicon

The Great Restoration

Cefalù: settlement evidence through time

The Bible carved in stone

Squaring the circle

The original design

Worship services

The Virgin Hodegetria

The construction of Monreale Cathedral: between myth and history

The area of the Sanctuary

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Survey of the royal tombs

The side Portico: a combination of elegance and lightness of form

The cemetery of kings

The Kings’ Cathedrals

The chapel of the crucifix: an artistic casket based on a previous model

The links between the hauteville family and the monastic orders in Sicily

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The lost chapel

The southern portico

The decorated facade

Gardens and architecture as a backdrop to the city of Palermo

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The side aisles

Tempus fugit: a strategic project implemented in a short period of time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The balance between architecture and light

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The rediscovered chapel

The chystro: a place between earth and sky

A space between the visible and the invisible

From the Mosque to the Cathedral

The senses tell Context 1

A chapel by an unknown designer based on repeated symmetries

Characteristics of religious architecture in the romanesque period

Transformations over the centuries

The Chapel of St. Mary Magdalene

A Northern population

Porphyry sarcophagi: royalty and power

Palermo: the happiest city

Norman religious architecture with islamic influences in Sicily

The towers and the western facade

The chorus: beating heart of the cathedral

From the main gate to the aisles: an invitation to a journey of faith

The king’s mark

The cultural substrate through time

A controversial interpretation

The stone bible

Interior decorations