Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

The towers and the western facade

The area of the Sanctuary

The mosaics of the apses

The beginning of the construction site

The stone bible

Layers of different cultures decorate the external apses

The Chapel of St. Mary Magdalene

The Great Presbytery: a unique space for the cathedral

Two initially similar towers, varied over time

Transformations over the centuries

The construction of Monreale Cathedral: between myth and history

The Kings’ Cathedrals

Tempus fugit: a strategic project implemented in a short period of time

A palimpsest of history

The king’s mark

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

From the main gate to the aisles: an invitation to a journey of faith

The chapel of san Castrense: an important renaissance work

Interior decorations

The balance between architecture and light

Worship services

The dialogue between the architectures of the monumental complex

Artistic elements in Peter’s ship

The Bible carved in stone

A chapel by an unknown designer based on repeated symmetries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A Northern population

The chorus: beating heart of the cathedral

Palermo: the happiest city

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Roger II of hauteville: a sovereign protected by God

The Chapel of the Kings

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Gardens and architecture as a backdrop to the city of Palermo

A tree full of life

Roger II’s strategic design

A cloister of accentuated stylistic variety

A controversial interpretation

The chapel of St. Benedict

Squaring the circle

A space between the visible and the invisible

The towers facing the facade used as bell towers

Norman religious architecture with islamic influences in Sicily

The Virgin Hodegetria

The cemetery of kings

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The southern portico

A new Cathedral

The transformations of the hall through the centuries

The links between the hauteville family and the monastic orders in Sicily

The Cathedral over the centuries

The original design

The columns of the nave: the meticulous study of the overall order

Survey of the royal tombs

Cefalù: settlement evidence through time

Beyond the harmony of proportions

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The longest aisle

The Great Restoration

The medieval city amidst monasticism and feudal aristocracy

The Gualtiero Cathedral

The rediscovered chapel

Characteristics of religious architecture in the romanesque period

A mixture of styles pervades the floor decorations

The liturgical spaces of the protesis and the diaconicon

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A polysemy of high-level artistic forms and content

The senses tell Context 1

The decorated facade

From the Mosque to the Cathedral

Porphyry sarcophagi: royalty and power

A compositional design that combines nordic examples with new artistic languages, over the centuries

The cultural substrate through time

Mosaic decoration

A remarkable ceiling

The mosaics of the presbytery

Ecclesia munita

The side aisles

The side Portico: a combination of elegance and lightness of form

The chapel of the crucifix: an artistic casket based on a previous model

The chystro: a place between earth and sky

Under the crosses of the Bema

The lost chapel