Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

The balance between architecture and light

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Chapel of the Kings

The cultural substrate through time

The chorus: beating heart of the cathedral

Norman religious architecture with islamic influences in Sicily

A space between the visible and the invisible

The southern portico

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A remarkable ceiling

The towers and the western facade

Beyond the harmony of proportions

The side Portico: a combination of elegance and lightness of form

The mosaics of the apses

The cemetery of kings

Roger II’s strategic design

The Virgin Hodegetria

The senses tell Context 1

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the presbytery

The chystro: a place between earth and sky

The medieval city amidst monasticism and feudal aristocracy

Worship services

The decorated facade

Roger II of hauteville: a sovereign protected by God

The rediscovered chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Great Presbytery: a unique space for the cathedral

Two initially similar towers, varied over time

A controversial interpretation

Under the crosses of the Bema

The longest aisle

Cefalù: settlement evidence through time

Tempus fugit: a strategic project implemented in a short period of time

Porphyry sarcophagi: royalty and power

The king’s mark

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chapel of St. Benedict

The dialogue between the architectures of the monumental complex

From the main gate to the aisles: an invitation to a journey of faith

Gardens and architecture as a backdrop to the city of Palermo

Interior decorations

The side aisles

Layers of different cultures decorate the external apses

The towers facing the facade used as bell towers

From the Mosque to the Cathedral

A tree full of life

Ecclesia munita

The original design

The columns of the nave: the meticulous study of the overall order

Artistic elements in Peter’s ship

Palermo: the happiest city

The area of the Sanctuary

A chapel by an unknown designer based on repeated symmetries

The Kings’ Cathedrals

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chapel of the crucifix: an artistic casket based on a previous model

Characteristics of religious architecture in the romanesque period

The beginning of the construction site

The liturgical spaces of the protesis and the diaconicon

A mixture of styles pervades the floor decorations

The lost chapel

The Bible carved in stone

A Northern population

A new Cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Mosaic decoration

Squaring the circle

The Chapel of St. Mary Magdalene

The Cathedral over the centuries

The chapel of san Castrense: an important renaissance work

The Great Restoration

The stone bible

Survey of the royal tombs

The Gualtiero Cathedral

The construction of Monreale Cathedral: between myth and history

The links between the hauteville family and the monastic orders in Sicily

A polysemy of high-level artistic forms and content

A cloister of accentuated stylistic variety

A palimpsest of history

The transformations of the hall through the centuries

Transformations over the centuries