Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

The original design

The liturgical spaces of the protesis and the diaconicon

The links between the hauteville family and the monastic orders in Sicily

A Northern population

Palermo: the happiest city

The side Portico: a combination of elegance and lightness of form

The Virgin Hodegetria

The side aisles

The king’s mark

From the Mosque to the Cathedral

The towers facing the facade used as bell towers

The cemetery of kings

Gardens and architecture as a backdrop to the city of Palermo

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The stone bible

The towers and the western facade

A remarkable ceiling

The construction of Monreale Cathedral: between myth and history

The medieval city amidst monasticism and feudal aristocracy

The columns of the nave: the meticulous study of the overall order

The longest aisle

A controversial interpretation

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The mosaics of the presbytery

From the main gate to the aisles: an invitation to a journey of faith

The chystro: a place between earth and sky

The decorated facade

Ecclesia munita

Norman religious architecture with islamic influences in Sicily

The Gualtiero Cathedral

The Bible carved in stone

Cefalù: settlement evidence through time

The Great Restoration

A palimpsest of history

The transformations of the hall through the centuries

A tree full of life

The senses tell Context 1

The balance between architecture and light

The Great Presbytery: a unique space for the cathedral

Roger II of hauteville: a sovereign protected by God

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Mosaic decoration

A mixture of styles pervades the floor decorations

The Chapel of the Kings

The area of the Sanctuary

Two initially similar towers, varied over time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The lost chapel

The Cathedral over the centuries

The rediscovered chapel

The beginning of the construction site

The chapel of the crucifix: an artistic casket based on a previous model

The Kings’ Cathedrals

Tempus fugit: a strategic project implemented in a short period of time

Squaring the circle

The chorus: beating heart of the cathedral

Worship services

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A space between the visible and the invisible

Characteristics of religious architecture in the romanesque period

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The cultural substrate through time

Artistic elements in Peter’s ship

A polysemy of high-level artistic forms and content

Interior decorations

Layers of different cultures decorate the external apses

Roger II’s strategic design

Beyond the harmony of proportions

The dialogue between the architectures of the monumental complex

A chapel by an unknown designer based on repeated symmetries

The Chapel of St. Mary Magdalene

Transformations over the centuries

Porphyry sarcophagi: royalty and power

A cloister of accentuated stylistic variety

Survey of the royal tombs

The southern portico

The chapel of san Castrense: an important renaissance work

Under the crosses of the Bema

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The mosaics of the apses

The chapel of St. Benedict

A new Cathedral