Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

A palimpsest of history

The chapel of the crucifix: an artistic casket based on a previous model

The transformations of the hall through the centuries

The rediscovered chapel

Layers of different cultures decorate the external apses

The chorus: beating heart of the cathedral

The Great Restoration

The chystro: a place between earth and sky

The king’s mark

A cloister of accentuated stylistic variety

Mosaic decoration

The original design

The Gualtiero Cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The towers facing the facade used as bell towers

From the main gate to the aisles: an invitation to a journey of faith

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The longest aisle

Beyond the harmony of proportions

The decorated facade

The chapel of St. Benedict

The area of the Sanctuary

Squaring the circle

A compositional design that combines nordic examples with new artistic languages, over the centuries

The liturgical spaces of the protesis and the diaconicon

Artistic elements in Peter’s ship

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Chapel of the Kings

A remarkable ceiling

The medieval city amidst monasticism and feudal aristocracy

A space between the visible and the invisible

The stone bible

Two initially similar towers, varied over time

The beginning of the construction site

Gardens and architecture as a backdrop to the city of Palermo

Characteristics of religious architecture in the romanesque period

Transformations over the centuries

The Kings’ Cathedrals

A mixture of styles pervades the floor decorations

Tempus fugit: a strategic project implemented in a short period of time

Roger II of hauteville: a sovereign protected by God

Norman religious architecture with islamic influences in Sicily

Cefalù: settlement evidence through time

A polysemy of high-level artistic forms and content

The cemetery of kings

The towers and the western facade

Worship services

A Northern population

The Cathedral over the centuries

The dialogue between the architectures of the monumental complex

The Great Presbytery: a unique space for the cathedral

The Chapel of St. Mary Magdalene

A new Cathedral

The Bible carved in stone

A chapel by an unknown designer based on repeated symmetries

The mosaics of the presbytery

Porphyry sarcophagi: royalty and power

A tree full of life

The cultural substrate through time

Survey of the royal tombs

Palermo: the happiest city

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The southern portico

Interior decorations

The links between the hauteville family and the monastic orders in Sicily

The lost chapel

The side aisles

From the Mosque to the Cathedral

Roger II’s strategic design

The chapel of san Castrense: an important renaissance work

A controversial interpretation

The balance between architecture and light

The mosaics of the apses

The columns of the nave: the meticulous study of the overall order

The construction of Monreale Cathedral: between myth and history

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell Context 1

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Virgin Hodegetria

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Under the crosses of the Bema

The side Portico: a combination of elegance and lightness of form

Ecclesia munita