Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

The rediscovered chapel

The Bible carved in stone

Roger II of hauteville: a sovereign protected by God

Interior decorations

The construction of Monreale Cathedral: between myth and history

The southern portico

The chystro: a place between earth and sky

Cefalù: settlement evidence through time

The Virgin Hodegetria

The links between the hauteville family and the monastic orders in Sicily

Artistic elements in Peter’s ship

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Mosaic decoration

A space between the visible and the invisible

Transformations over the centuries

From the Mosque to the Cathedral

Two initially similar towers, varied over time

The decorated facade

The Gualtiero Cathedral

Gardens and architecture as a backdrop to the city of Palermo

The mosaics of the apses

From the main gate to the aisles: an invitation to a journey of faith

Roger II’s strategic design

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Cathedral over the centuries

A mixture of styles pervades the floor decorations

The lost chapel

The side aisles

The cemetery of kings

Characteristics of religious architecture in the romanesque period

Worship services

Norman religious architecture with islamic influences in Sicily

Tempus fugit: a strategic project implemented in a short period of time

A chapel by an unknown designer based on repeated symmetries

The stone bible

Layers of different cultures decorate the external apses

A new Cathedral

The longest aisle

A palimpsest of history

The balance between architecture and light

Ecclesia munita

Beyond the harmony of proportions

Under the crosses of the Bema

The towers and the western facade

The liturgical spaces of the protesis and the diaconicon

The chapel of St. Benedict

A polysemy of high-level artistic forms and content

Squaring the circle

Porphyry sarcophagi: royalty and power

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell Context 1

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Great Presbytery: a unique space for the cathedral

The mosaics of the presbytery

The columns of the nave: the meticulous study of the overall order

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Chapel of the Kings

The side Portico: a combination of elegance and lightness of form

A tree full of life

Survey of the royal tombs

The chapel of the crucifix: an artistic casket based on a previous model

A Northern population

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The king’s mark

A cloister of accentuated stylistic variety

A remarkable ceiling

The chorus: beating heart of the cathedral

The towers facing the facade used as bell towers

The Kings’ Cathedrals

The beginning of the construction site

The area of the Sanctuary

Palermo: the happiest city

The transformations of the hall through the centuries

The medieval city amidst monasticism and feudal aristocracy

The Great Restoration

The chapel of san Castrense: an important renaissance work

The original design

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A controversial interpretation

The cultural substrate through time

The Chapel of St. Mary Magdalene

The dialogue between the architectures of the monumental complex

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time