Monreale Cathedral
the Context 1

The senses tell Context 1

sight
The vegetation of the Palermo plain

As Ugo Falcando carefully describes, the flourishing vegetation of the landscape of the Palermo plain in the 12th century showed colours ranging from the pink hues of the lumia flowers to the bright tones of the oranges and pomegranates, similar to the fiery streaks of timeless sunsets.

smell
Scent of spices and colours

New fruit trees such as cedars, lemons and oranges were introduced to the endless green expanses of the flourishing Palermo plain as part of a diverse cultivation system. In addition to the pleasant view enhanced by a rich palette of colours, there was no shortage of the spicy scents of cinnamon, cloves, ginger and jasmine, which permeated the air with a mixture of Middle Eastern aromas.

hearing
Parks, gardens and water features

In the parks and gardens, you can hear the water gushing. The knowledge with which the Arab culture was imbued, starting with the development of science and mathematics, also involved the reorganisation of the layout of Palermo. The city became an area where studies on water channelling systems, including the underground water channels known as quanāt, gave impetus to the construction of parks and suburban gardens enriched by the presence of surface pipelines, saie, fountains and water collection tanks.

The Virgin Hodegetria

The medieval city amidst monasticism and feudal aristocracy

A polysemy of high-level artistic forms and content

The mosaics of the apses

Tempus fugit: a strategic project implemented in a short period of time

The cemetery of kings

Squaring the circle

The original design

The Great Presbytery: a unique space for the cathedral

Cefalù: settlement evidence through time

From the main gate to the aisles: an invitation to a journey of faith

Two initially similar towers, varied over time

The side Portico: a combination of elegance and lightness of form

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The liturgical spaces of the protesis and the diaconicon

The chystro: a place between earth and sky

The Chapel of the Kings

The balance between architecture and light

The king’s mark

The area of the Sanctuary

Roger II of hauteville: a sovereign protected by God

Under the crosses of the Bema

A palimpsest of history

The transformations of the hall through the centuries

The lost chapel

The cultural substrate through time

The Gualtiero Cathedral

The mosaics of the presbytery

Norman religious architecture with islamic influences in Sicily

A chapel by an unknown designer based on repeated symmetries

The Chapel of St. Mary Magdalene

The Great Restoration

A new Cathedral

The construction of Monreale Cathedral: between myth and history

Beyond the harmony of proportions

Characteristics of religious architecture in the romanesque period

A remarkable ceiling

Survey of the royal tombs

The links between the hauteville family and the monastic orders in Sicily

The chorus: beating heart of the cathedral

Worship services

The rediscovered chapel

Porphyry sarcophagi: royalty and power

The Cathedral over the centuries

A controversial interpretation

The southern portico

Gardens and architecture as a backdrop to the city of Palermo

Interior decorations

A space between the visible and the invisible

Transformations over the centuries

The towers facing the facade used as bell towers

Roger II’s strategic design

The longest aisle

Ecclesia munita

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The decorated facade

The side aisles

The columns of the nave: the meticulous study of the overall order

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Artistic elements in Peter’s ship

The Bible carved in stone

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The towers and the western facade

From the Mosque to the Cathedral

The senses tell Context 1

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A compositional design that combines nordic examples with new artistic languages, over the centuries

A Northern population

Mosaic decoration

The Kings’ Cathedrals

Palermo: the happiest city

A cloister of accentuated stylistic variety

A tree full of life

The stone bible

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chapel of san Castrense: an important renaissance work

The beginning of the construction site

A mixture of styles pervades the floor decorations

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of the crucifix: an artistic casket based on a previous model

The dialogue between the architectures of the monumental complex

The chapel of St. Benedict

Layers of different cultures decorate the external apses