Palermo Cathedral
St. Mary Magdalene

The lost chapel

In 1130, Elvira , the wife of King Roger II , had a chapel dedicated to St Mary Magdalene built as a mausoleum for the royal family. Its construction came shortly after another chapel was built to the north on the opposite side, on 15 May 1129, at the behest of Roger II, dedicated to the Crowned Goddess. The Magdalene Chapel was built close to the Cathedral, on its southern front, corresponding to the presbytery area, “ in cornu epistolae “. We have information on this building because it is mentioned in the ancient chronicles and is clearly identified in the 1187 diploma, written by Archbishop Gualtiero as a petition to the King, requesting the use of the chapel following the transformation of the sacred temple. Palermo Cathedral had remained virtually unchanged in its layout since 1071, i.e. for almost 100 years, when the Normans entered the city and converted the great Gami Mosque , previously the city’s mother church during the Byzantine period, to a Christian place of worship. Over time, traces of this chapel were lost, and many documents that could provide evidence of its exact location were lost around the middle of the 19th century. This led to the belief that the chapel had been demolished during this construction work. Nor is there any evidence left of this in the book “De Principe Templo Panormitano” (1728), transcribed by priest Giovanni Maria Amato , when he quotes the text of the aforementioned diploma of Archbishop Gualtiero.

The mosaics of the presbytery

A Northern population

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Under the crosses of the Bema

Porphyry sarcophagi: royalty and power

The chorus: beating heart of the cathedral

The side aisles

The Gualtiero Cathedral

The links between the hauteville family and the monastic orders in Sicily

Survey of the royal tombs

A controversial interpretation

A polysemy of high-level artistic forms and content

The Virgin Hodegetria

The chapel of the crucifix: an artistic casket based on a previous model

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Characteristics of religious architecture in the romanesque period

The towers and the western facade

The lost chapel

Roger II’s strategic design

The construction of Monreale Cathedral: between myth and history

The Cathedral over the centuries

The longest aisle

The beginning of the construction site

The chapel of St. Benedict

Two initially similar towers, varied over time

The rediscovered chapel

Layers of different cultures decorate the external apses

Artistic elements in Peter’s ship

A tree full of life

The transformations of the hall through the centuries

A palimpsest of history

The medieval city amidst monasticism and feudal aristocracy

A mixture of styles pervades the floor decorations

Tempus fugit: a strategic project implemented in a short period of time

The Chapel of the Kings

The senses tell Context 1

The cultural substrate through time

Squaring the circle

Transformations over the centuries

From the main gate to the aisles: an invitation to a journey of faith

Mosaic decoration

The original design

The Chapel of St. Mary Magdalene

The decorated facade

The liturgical spaces of the protesis and the diaconicon

Worship services

The side Portico: a combination of elegance and lightness of form

Palermo: the happiest city

A cloister of accentuated stylistic variety

The chystro: a place between earth and sky

The towers facing the facade used as bell towers

A new Cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Cefalù: settlement evidence through time

The Great Restoration

Ecclesia munita

A remarkable ceiling

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A compositional design that combines nordic examples with new artistic languages, over the centuries

The columns of the nave: the meticulous study of the overall order

Interior decorations

The dialogue between the architectures of the monumental complex

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The cemetery of kings

The Kings’ Cathedrals

Roger II of hauteville: a sovereign protected by God

A chapel by an unknown designer based on repeated symmetries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Bible carved in stone

Beyond the harmony of proportions

The stone bible

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The mosaics of the apses

Gardens and architecture as a backdrop to the city of Palermo

The balance between architecture and light

The Great Presbytery: a unique space for the cathedral

A space between the visible and the invisible

The king’s mark

The southern portico

Norman religious architecture with islamic influences in Sicily

The area of the Sanctuary

The chapel of san Castrense: an important renaissance work

From the Mosque to the Cathedral