Cefalù Cathedral
context 2

The links between the hauteville family and the monastic orders in Sicily

Even before his coronation, Roger II went to the Abbey of St Mary and the Twelve Apostles in Bagnara to place the Diocese of Cefalù under the control of the Augustinian canons , the order favoured by the king and the most powerful of the non-Benedictine Latin monastic orders.
The communities of the latter, present on the island, were established in the form of colonies or were directly dependent on the four great abbeys erected by the Hauteville family: Lipari – Patti, Catania, San Giovanni degli Eremiti and Monreale. However, Latin monasteries were rather scarce on the southern and western Sicilian coasts, especially in the early period, in which the Basilian abbeys of S.Giorgio, Triocala, S.Michele di Mazara and S.Maria di Mazara had an indisputable predominance. In these places, the Muslim presence was, for a long time, active and was not influenced by Latinising agents.
Unlike what happened in Europe, where the sovereigns’ abbeys did not overpower those of the feudal lords, the opposite occurred in Sicily, although the monasteries’ loyalty established an indispensable link to which the rulers aspired. The king, as hereditary papal legate, had direct control over the appointment of abbots and bishops, as well as the religious institutions present on the island, in order to give greater impetus to the spread of the Western Christian Church.

The balance between architecture and light

The chapel of St. Benedict

The side Portico: a combination of elegance and lightness of form

The medieval city amidst monasticism and feudal aristocracy

Porphyry sarcophagi: royalty and power

Worship services

The side aisles

The chystro: a place between earth and sky

The cultural substrate through time

The area of the Sanctuary

A chapel by an unknown designer based on repeated symmetries

The towers facing the facade used as bell towers

The longest aisle

The king’s mark

Artistic elements in Peter’s ship

A polysemy of high-level artistic forms and content

A remarkable ceiling

A space between the visible and the invisible

The construction of Monreale Cathedral: between myth and history

The dialogue between the architectures of the monumental complex

The beginning of the construction site

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chapel of san Castrense: an important renaissance work

Under the crosses of the Bema

Squaring the circle

A new Cathedral

The Gualtiero Cathedral

A Northern population

The rediscovered chapel

Ecclesia munita

The mosaics of the presbytery

The Great Restoration

The columns of the nave: the meticulous study of the overall order

The Bible carved in stone

The Chapel of St. Mary Magdalene

The mosaics of the apses

The chapel of the crucifix: an artistic casket based on a previous model

The Virgin Hodegetria

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The transformations of the hall through the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The liturgical spaces of the protesis and the diaconicon

The original design

The Chapel of the Kings

The stone bible

Roger II’s strategic design

Transformations over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chorus: beating heart of the cathedral

Interior decorations

The links between the hauteville family and the monastic orders in Sicily

The southern portico

A controversial interpretation

The lost chapel

Layers of different cultures decorate the external apses

Tempus fugit: a strategic project implemented in a short period of time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Survey of the royal tombs

Beyond the harmony of proportions

The Kings’ Cathedrals

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Palermo: the happiest city

Two initially similar towers, varied over time

The Great Presbytery: a unique space for the cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The towers and the western facade

From the main gate to the aisles: an invitation to a journey of faith

A cloister of accentuated stylistic variety

A mixture of styles pervades the floor decorations

The senses tell Context 1

A tree full of life

Mosaic decoration

Roger II of hauteville: a sovereign protected by God

Cefalù: settlement evidence through time

The Cathedral over the centuries

From the Mosque to the Cathedral

Characteristics of religious architecture in the romanesque period

Gardens and architecture as a backdrop to the city of Palermo

Norman religious architecture with islamic influences in Sicily

A palimpsest of history

The decorated facade

The cemetery of kings