Monreale Cathedral
the Great Presbytery

The chapel of the crucifix: an artistic casket based on a previous model

A significant trace, still visible in the architecture of Monreale Cathedral, can be attributed to Archbishop Giovanni Ruano , who built the Chapel of the Crucifix, his main work inside the Temple. It was consecrated in 1692, after a short period of work between the date of its design in 1686 by the Capuchin Friar Giovanni da Monreale , whose work was continued by the Jesuit Angelo Italia , and its completion in 1690.The portal , decorated with sacred and profane themes ,  Is located at the side of the Chapel of the Sacrament, which is accessed from the left wing of the transept. The decoration already suggests the celebratory purpose of this space, which was dedicated to the veneration of the crucifix and at the same time to the burial of the archbishop himself and his successors.
From the architecture of this place, consisting of a lowered barrel vault , it is possible to trace the original connection between the Church and the Royal Palace , destroyed by Cardinal Giovanni Borgia in order to build a road and later restored through the adoption of a covered passageway distinguished by grey marble walls.
Even from this area, the reference to the family of its founder becomes inescapable, as can be seen from the coats of arms that reach the ribs visible on the vault.

The construction of Monreale Cathedral: between myth and history

The side Portico: a combination of elegance and lightness of form

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chapel of san Castrense: an important renaissance work

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The cultural substrate through time

The Chapel of the Kings

Squaring the circle

Transformations over the centuries

The links between the hauteville family and the monastic orders in Sicily

The Bible carved in stone

Two initially similar towers, varied over time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A palimpsest of history

A space between the visible and the invisible

Roger II’s strategic design

Survey of the royal tombs

Norman religious architecture with islamic influences in Sicily

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A remarkable ceiling

A polysemy of high-level artistic forms and content

The columns of the nave: the meticulous study of the overall order

The Great Presbytery: a unique space for the cathedral

The transformations of the hall through the centuries

The southern portico

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the apses

Interior decorations

Under the crosses of the Bema

The cemetery of kings

The Virgin Hodegetria

The dialogue between the architectures of the monumental complex

The mosaics of the presbytery

The longest aisle

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Roger II of hauteville: a sovereign protected by God

Mosaic decoration

The chapel of the crucifix: an artistic casket based on a previous model

The original design

A mixture of styles pervades the floor decorations

A new Cathedral

A controversial interpretation

A compositional design that combines nordic examples with new artistic languages, over the centuries

Porphyry sarcophagi: royalty and power

The Cathedral over the centuries

Palermo: the happiest city

Artistic elements in Peter’s ship

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell Context 1

A tree full of life

The king’s mark

The liturgical spaces of the protesis and the diaconicon

The stone bible

A chapel by an unknown designer based on repeated symmetries

A cloister of accentuated stylistic variety

From the Mosque to the Cathedral

Characteristics of religious architecture in the romanesque period

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The lost chapel

The rediscovered chapel

The towers facing the facade used as bell towers

The chystro: a place between earth and sky

The side aisles

The Great Restoration

The beginning of the construction site

Layers of different cultures decorate the external apses

Beyond the harmony of proportions

The medieval city amidst monasticism and feudal aristocracy

The Kings’ Cathedrals

The chapel of St. Benedict

The Gualtiero Cathedral

The towers and the western facade

The area of the Sanctuary

Tempus fugit: a strategic project implemented in a short period of time

Worship services

The decorated facade

The Chapel of St. Mary Magdalene

Ecclesia munita

A Northern population

The balance between architecture and light

Cefalù: settlement evidence through time

The chorus: beating heart of the cathedral

Gardens and architecture as a backdrop to the city of Palermo