Cefalù Cathedral
context 2

Characteristics of religious architecture in the romanesque period

For the organisation of space in religious architecture, the year 1000 marked a period of revision of the solutions already initiated in the Carolingian era. The need for a renewed use of the liturgy took on not only symbolic but also rational importance, so much so as to modify the design of the sacred area. The increase in the number of clergy, who came to form a social group distinct from the community of the faithful, made it necessary to enlarge and raise the presbytery .This change gave the apse greater depth, reserving additional space for the creation of the choir which was placed in the nave in front of the altar.The reformulation of spaces, together with the introduction of secondary apses, emphasised the importance of the officiating religious over the faithful, who now attended the celebrations separated by fences (plutei in the Roman rite and iconòstasis in the Greek rite) which enclosed the presbytery. The overall impression of the building continues to reflect that of a vibrant arrangement of spaces, in which the dynamism of the projecting structural elements interacts with the recesses which mark the openings, such as windows and portals. In some religious buildings, characterised by thick walls, the is used to compensate for the greater height of the central nave compared to the side aisles. Almost as if to contrast with the elevated position of this gallery, the Romanesque church below its longitudinal plan, often with a transept , conceals crypts beneath the  presbytery, according to a tradition derived from the Carolingian and Ottonian periods.

The area of the Sanctuary

A palimpsest of history

The chorus: beating heart of the cathedral

Cefalù: settlement evidence through time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the presbytery

Characteristics of religious architecture in the romanesque period

The original design

The beginning of the construction site

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

From the main gate to the aisles: an invitation to a journey of faith

The chapel of St. Benedict

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A polysemy of high-level artistic forms and content

The construction of Monreale Cathedral: between myth and history

The cemetery of kings

The dialogue between the architectures of the monumental complex

A compositional design that combines nordic examples with new artistic languages, over the centuries

Roger II’s strategic design

Artistic elements in Peter’s ship

Layers of different cultures decorate the external apses

A new Cathedral

A controversial interpretation

The senses tell Context 1

A tree full of life

The Great Presbytery: a unique space for the cathedral

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Gardens and architecture as a backdrop to the city of Palermo

The lost chapel

Squaring the circle

Tempus fugit: a strategic project implemented in a short period of time

Porphyry sarcophagi: royalty and power

The liturgical spaces of the protesis and the diaconicon

The Cathedral over the centuries

The decorated facade

A remarkable ceiling

The Bible carved in stone

The towers facing the facade used as bell towers

Beyond the harmony of proportions

The Great Restoration

The cultural substrate through time

Two initially similar towers, varied over time

Interior decorations

Palermo: the happiest city

The chapel of the crucifix: an artistic casket based on a previous model

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Chapel of St. Mary Magdalene

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Survey of the royal tombs

The side Portico: a combination of elegance and lightness of form

Under the crosses of the Bema

The Kings’ Cathedrals

Norman religious architecture with islamic influences in Sicily

The transformations of the hall through the centuries

The columns of the nave: the meticulous study of the overall order

The mosaics of the apses

A space between the visible and the invisible

A cloister of accentuated stylistic variety

The Virgin Hodegetria

The Gualtiero Cathedral

Transformations over the centuries

The side aisles

The balance between architecture and light

The king’s mark

A chapel by an unknown designer based on repeated symmetries

The rediscovered chapel

The chystro: a place between earth and sky

The southern portico

From the Mosque to the Cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Chapel of the Kings

Mosaic decoration

Roger II of hauteville: a sovereign protected by God

The stone bible

The longest aisle

Worship services

A mixture of styles pervades the floor decorations

Ecclesia munita

The links between the hauteville family and the monastic orders in Sicily

The chapel of san Castrense: an important renaissance work

A Northern population

The towers and the western facade