Cefalù Cathedral
context 2

Characteristics of religious architecture in the romanesque period

For the organisation of space in religious architecture, the year 1000 marked a period of revision of the solutions already initiated in the Carolingian era. The need for a renewed use of the liturgy took on not only symbolic but also rational importance, so much so as to modify the design of the sacred area. The increase in the number of clergy, who came to form a social group distinct from the community of the faithful, made it necessary to enlarge and raise the presbytery .This change gave the apse greater depth, reserving additional space for the creation of the choir which was placed in the nave in front of the altar.The reformulation of spaces, together with the introduction of secondary apses, emphasised the importance of the officiating religious over the faithful, who now attended the celebrations separated by fences (plutei in the Roman rite and iconòstasis in the Greek rite) which enclosed the presbytery. The overall impression of the building continues to reflect that of a vibrant arrangement of spaces, in which the dynamism of the projecting structural elements interacts with the recesses which mark the openings, such as windows and portals. In some religious buildings, characterised by thick walls, the is used to compensate for the greater height of the central nave compared to the side aisles. Almost as if to contrast with the elevated position of this gallery, the Romanesque church below its longitudinal plan, often with a transept , conceals crypts beneath the  presbytery, according to a tradition derived from the Carolingian and Ottonian periods.

The rediscovered chapel

A Northern population

A chapel by an unknown designer based on repeated symmetries

The Virgin Hodegetria

Roger II of hauteville: a sovereign protected by God

The stone bible

Under the crosses of the Bema

The chapel of St. Benedict

The chorus: beating heart of the cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of san Castrense: an important renaissance work

Palermo: the happiest city

The senses tell Context 1

The construction of Monreale Cathedral: between myth and history

The Chapel of St. Mary Magdalene

Transformations over the centuries

Gardens and architecture as a backdrop to the city of Palermo

The original design

A controversial interpretation

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

From the main gate to the aisles: an invitation to a journey of faith

The Great Restoration

The transformations of the hall through the centuries

A compositional design that combines nordic examples with new artistic languages, over the centuries

The lost chapel

Survey of the royal tombs

The chapel of the crucifix: an artistic casket based on a previous model

Norman religious architecture with islamic influences in Sicily

The Gualtiero Cathedral

The Bible carved in stone

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Cefalù: settlement evidence through time

The mosaics of the presbytery

The balance between architecture and light

A mixture of styles pervades the floor decorations

Two initially similar towers, varied over time

Mosaic decoration

The columns of the nave: the meticulous study of the overall order

Porphyry sarcophagi: royalty and power

A space between the visible and the invisible

Characteristics of religious architecture in the romanesque period

Layers of different cultures decorate the external apses

The links between the hauteville family and the monastic orders in Sicily

From the Mosque to the Cathedral

The side Portico: a combination of elegance and lightness of form

Ecclesia munita

The area of the Sanctuary

The dialogue between the architectures of the monumental complex

A cloister of accentuated stylistic variety

Interior decorations

A polysemy of high-level artistic forms and content

The towers facing the facade used as bell towers

Worship services

Artistic elements in Peter’s ship

The Cathedral over the centuries

A remarkable ceiling

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the apses

Squaring the circle

Tempus fugit: a strategic project implemented in a short period of time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Great Presbytery: a unique space for the cathedral

The towers and the western facade

The Kings’ Cathedrals

Beyond the harmony of proportions

Roger II’s strategic design

The beginning of the construction site

The king’s mark

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chystro: a place between earth and sky

The side aisles

The cemetery of kings

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The cultural substrate through time

The liturgical spaces of the protesis and the diaconicon

A new Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Chapel of the Kings

The longest aisle

The decorated facade

A palimpsest of history

A tree full of life

The southern portico