Cefalù Cathedral
context 2

Characteristics of religious architecture in the romanesque period

For the organisation of space in religious architecture, the year 1000 marked a period of revision of the solutions already initiated in the Carolingian era. The need for a renewed use of the liturgy took on not only symbolic but also rational importance, so much so as to modify the design of the sacred area. The increase in the number of clergy, who came to form a social group distinct from the community of the faithful, made it necessary to enlarge and raise the presbytery .This change gave the apse greater depth, reserving additional space for the creation of the choir which was placed in the nave in front of the altar.The reformulation of spaces, together with the introduction of secondary apses, emphasised the importance of the officiating religious over the faithful, who now attended the celebrations separated by fences (plutei in the Roman rite and iconòstasis in the Greek rite) which enclosed the presbytery. The overall impression of the building continues to reflect that of a vibrant arrangement of spaces, in which the dynamism of the projecting structural elements interacts with the recesses which mark the openings, such as windows and portals. In some religious buildings, characterised by thick walls, the is used to compensate for the greater height of the central nave compared to the side aisles. Almost as if to contrast with the elevated position of this gallery, the Romanesque church below its longitudinal plan, often with a transept , conceals crypts beneath the  presbytery, according to a tradition derived from the Carolingian and Ottonian periods.

The Kings’ Cathedrals

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Gardens and architecture as a backdrop to the city of Palermo

The chorus: beating heart of the cathedral

The chystro: a place between earth and sky

The beginning of the construction site

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A palimpsest of history

The longest aisle

Artistic elements in Peter’s ship

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the apses

The columns of the nave: the meticulous study of the overall order

The dialogue between the architectures of the monumental complex

A controversial interpretation

Roger II’s strategic design

The Chapel of the Kings

From the Mosque to the Cathedral

The Great Presbytery: a unique space for the cathedral

Porphyry sarcophagi: royalty and power

The towers facing the facade used as bell towers

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A Northern population

A remarkable ceiling

Mosaic decoration

Layers of different cultures decorate the external apses

Interior decorations

The Gualtiero Cathedral

Worship services

The Great Restoration

The southern portico

A space between the visible and the invisible

A chapel by an unknown designer based on repeated symmetries

A mixture of styles pervades the floor decorations

A polysemy of high-level artistic forms and content

The liturgical spaces of the protesis and the diaconicon

The medieval city amidst monasticism and feudal aristocracy

The Cathedral over the centuries

The area of the Sanctuary

The mosaics of the presbytery

The lost chapel

The king’s mark

The Chapel of St. Mary Magdalene

The cemetery of kings

The side aisles

The chapel of the crucifix: an artistic casket based on a previous model

The side Portico: a combination of elegance and lightness of form

Characteristics of religious architecture in the romanesque period

A new Cathedral

Transformations over the centuries

The cultural substrate through time

The Virgin Hodegetria

The chapel of san Castrense: an important renaissance work

Ecclesia munita

Survey of the royal tombs

Palermo: the happiest city

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The original design

The links between the hauteville family and the monastic orders in Sicily

Tempus fugit: a strategic project implemented in a short period of time

A tree full of life

The chapel of St. Benedict

The transformations of the hall through the centuries

Cefalù: settlement evidence through time

The construction of Monreale Cathedral: between myth and history

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The decorated facade

The Bible carved in stone

Beyond the harmony of proportions

Under the crosses of the Bema

The balance between architecture and light

Norman religious architecture with islamic influences in Sicily

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Roger II of hauteville: a sovereign protected by God

From the main gate to the aisles: an invitation to a journey of faith

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Squaring the circle

The senses tell Context 1

The rediscovered chapel

The stone bible

A cloister of accentuated stylistic variety

The towers and the western facade

Two initially similar towers, varied over time