Cefalù Cathedral
context 2

Characteristics of religious architecture in the romanesque period

For the organisation of space in religious architecture, the year 1000 marked a period of revision of the solutions already initiated in the Carolingian era. The need for a renewed use of the liturgy took on not only symbolic but also rational importance, so much so as to modify the design of the sacred area. The increase in the number of clergy, who came to form a social group distinct from the community of the faithful, made it necessary to enlarge and raise the presbytery .This change gave the apse greater depth, reserving additional space for the creation of the choir which was placed in the nave in front of the altar.The reformulation of spaces, together with the introduction of secondary apses, emphasised the importance of the officiating religious over the faithful, who now attended the celebrations separated by fences (plutei in the Roman rite and iconòstasis in the Greek rite) which enclosed the presbytery. The overall impression of the building continues to reflect that of a vibrant arrangement of spaces, in which the dynamism of the projecting structural elements interacts with the recesses which mark the openings, such as windows and portals. In some religious buildings, characterised by thick walls, the is used to compensate for the greater height of the central nave compared to the side aisles. Almost as if to contrast with the elevated position of this gallery, the Romanesque church below its longitudinal plan, often with a transept , conceals crypts beneath the  presbytery, according to a tradition derived from the Carolingian and Ottonian periods.

A cloister of accentuated stylistic variety

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell Context 1

Survey of the royal tombs

The towers and the western facade

The rediscovered chapel

The stone bible

The Great Presbytery: a unique space for the cathedral

Palermo: the happiest city

From the Mosque to the Cathedral

The side aisles

The medieval city amidst monasticism and feudal aristocracy

A palimpsest of history

The decorated facade

The Great Restoration

Interior decorations

The king’s mark

The Bible carved in stone

The Kings’ Cathedrals

Norman religious architecture with islamic influences in Sicily

A polysemy of high-level artistic forms and content

The area of the Sanctuary

A space between the visible and the invisible

A chapel by an unknown designer based on repeated symmetries

A remarkable ceiling

Mosaic decoration

The Cathedral over the centuries

A compositional design that combines nordic examples with new artistic languages, over the centuries

Gardens and architecture as a backdrop to the city of Palermo

The Gualtiero Cathedral

Beyond the harmony of proportions

Under the crosses of the Bema

Artistic elements in Peter’s ship

Transformations over the centuries

Layers of different cultures decorate the external apses

The balance between architecture and light

The chystro: a place between earth and sky

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chapel of san Castrense: an important renaissance work

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The transformations of the hall through the centuries

Two initially similar towers, varied over time

Cefalù: settlement evidence through time

The cemetery of kings

Roger II’s strategic design

The Chapel of St. Mary Magdalene

A Northern population

Porphyry sarcophagi: royalty and power

Tempus fugit: a strategic project implemented in a short period of time

The lost chapel

The construction of Monreale Cathedral: between myth and history

The mosaics of the presbytery

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Chapel of the Kings

The towers facing the facade used as bell towers

Characteristics of religious architecture in the romanesque period

The side Portico: a combination of elegance and lightness of form

From the main gate to the aisles: an invitation to a journey of faith

The cultural substrate through time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Worship services

The chorus: beating heart of the cathedral

The liturgical spaces of the protesis and the diaconicon

The mosaics of the apses

Ecclesia munita

The links between the hauteville family and the monastic orders in Sicily

Roger II of hauteville: a sovereign protected by God

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The original design

The southern portico

The dialogue between the architectures of the monumental complex

The beginning of the construction site

The columns of the nave: the meticulous study of the overall order

A tree full of life

The Virgin Hodegetria

Squaring the circle

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of St. Benedict

A mixture of styles pervades the floor decorations

A controversial interpretation

The longest aisle

A new Cathedral