Cefalù Cathedral
context 2

Characteristics of religious architecture in the romanesque period

For the organisation of space in religious architecture, the year 1000 marked a period of revision of the solutions already initiated in the Carolingian era. The need for a renewed use of the liturgy took on not only symbolic but also rational importance, so much so as to modify the design of the sacred area. The increase in the number of clergy, who came to form a social group distinct from the community of the faithful, made it necessary to enlarge and raise the presbytery .This change gave the apse greater depth, reserving additional space for the creation of the choir which was placed in the nave in front of the altar.The reformulation of spaces, together with the introduction of secondary apses, emphasised the importance of the officiating religious over the faithful, who now attended the celebrations separated by fences (plutei in the Roman rite and iconòstasis in the Greek rite) which enclosed the presbytery. The overall impression of the building continues to reflect that of a vibrant arrangement of spaces, in which the dynamism of the projecting structural elements interacts with the recesses which mark the openings, such as windows and portals. In some religious buildings, characterised by thick walls, the is used to compensate for the greater height of the central nave compared to the side aisles. Almost as if to contrast with the elevated position of this gallery, the Romanesque church below its longitudinal plan, often with a transept , conceals crypts beneath the  presbytery, according to a tradition derived from the Carolingian and Ottonian periods.

Transformations over the centuries

Palermo: the happiest city

The transformations of the hall through the centuries

A mixture of styles pervades the floor decorations

The liturgical spaces of the protesis and the diaconicon

Characteristics of religious architecture in the romanesque period

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The beginning of the construction site

Porphyry sarcophagi: royalty and power

The Virgin Hodegetria

The balance between architecture and light

The chorus: beating heart of the cathedral

Ecclesia munita

The decorated facade

The southern portico

The chapel of the crucifix: an artistic casket based on a previous model

The mosaics of the presbytery

Under the crosses of the Bema

Roger II’s strategic design

The Chapel of St. Mary Magdalene

The side aisles

A Northern population

Interior decorations

Worship services

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The cultural substrate through time

A polysemy of high-level artistic forms and content

Artistic elements in Peter’s ship

A controversial interpretation

The chapel of san Castrense: an important renaissance work

Squaring the circle

The side Portico: a combination of elegance and lightness of form

The rediscovered chapel

The columns of the nave: the meticulous study of the overall order

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Cathedral over the centuries

The king’s mark

The Kings’ Cathedrals

The senses tell Context 1

Gardens and architecture as a backdrop to the city of Palermo

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

From the main gate to the aisles: an invitation to a journey of faith

The Gualtiero Cathedral

The Chapel of the Kings

Cefalù: settlement evidence through time

Survey of the royal tombs

The links between the hauteville family and the monastic orders in Sicily

From the Mosque to the Cathedral

The stone bible

Tempus fugit: a strategic project implemented in a short period of time

A chapel by an unknown designer based on repeated symmetries

The Great Restoration

A remarkable ceiling

A tree full of life

The longest aisle

Norman religious architecture with islamic influences in Sicily

The Bible carved in stone

The construction of Monreale Cathedral: between myth and history

The cemetery of kings

The chapel of St. Benedict

A palimpsest of history

The dialogue between the architectures of the monumental complex

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The medieval city amidst monasticism and feudal aristocracy

Mosaic decoration

The mosaics of the apses

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The original design

The chystro: a place between earth and sky

The lost chapel

A compositional design that combines nordic examples with new artistic languages, over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Roger II of hauteville: a sovereign protected by God

A new Cathedral

The area of the Sanctuary

A cloister of accentuated stylistic variety

Beyond the harmony of proportions

The towers and the western facade

Layers of different cultures decorate the external apses

Two initially similar towers, varied over time

A space between the visible and the invisible

The Great Presbytery: a unique space for the cathedral

The towers facing the facade used as bell towers