Cefalù Cathedral
context 2

Characteristics of religious architecture in the romanesque period

For the organisation of space in religious architecture, the year 1000 marked a period of revision of the solutions already initiated in the Carolingian era. The need for a renewed use of the liturgy took on not only symbolic but also rational importance, so much so as to modify the design of the sacred area. The increase in the number of clergy, who came to form a social group distinct from the community of the faithful, made it necessary to enlarge and raise the presbytery .This change gave the apse greater depth, reserving additional space for the creation of the choir which was placed in the nave in front of the altar.The reformulation of spaces, together with the introduction of secondary apses, emphasised the importance of the officiating religious over the faithful, who now attended the celebrations separated by fences (plutei in the Roman rite and iconòstasis in the Greek rite) which enclosed the presbytery. The overall impression of the building continues to reflect that of a vibrant arrangement of spaces, in which the dynamism of the projecting structural elements interacts with the recesses which mark the openings, such as windows and portals. In some religious buildings, characterised by thick walls, the is used to compensate for the greater height of the central nave compared to the side aisles. Almost as if to contrast with the elevated position of this gallery, the Romanesque church below its longitudinal plan, often with a transept , conceals crypts beneath the  presbytery, according to a tradition derived from the Carolingian and Ottonian periods.

Gardens and architecture as a backdrop to the city of Palermo

Ecclesia munita

A mixture of styles pervades the floor decorations

Characteristics of religious architecture in the romanesque period

The Great Restoration

A remarkable ceiling

A Northern population

The towers and the western facade

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The stone bible

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the apses

The beginning of the construction site

The southern portico

The rediscovered chapel

The area of the Sanctuary

A compositional design that combines nordic examples with new artistic languages, over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A controversial interpretation

The lost chapel

A polysemy of high-level artistic forms and content

A tree full of life

Beyond the harmony of proportions

Roger II’s strategic design

The columns of the nave: the meticulous study of the overall order

Artistic elements in Peter’s ship

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Bible carved in stone

The towers facing the facade used as bell towers

The original design

A cloister of accentuated stylistic variety

The chapel of St. Benedict

Under the crosses of the Bema

The links between the hauteville family and the monastic orders in Sicily

A new Cathedral

The liturgical spaces of the protesis and the diaconicon

Palermo: the happiest city

The side aisles

A space between the visible and the invisible

The chorus: beating heart of the cathedral

The senses tell Context 1

The Great Presbytery: a unique space for the cathedral

Two initially similar towers, varied over time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Norman religious architecture with islamic influences in Sicily

From the main gate to the aisles: an invitation to a journey of faith

The chapel of the crucifix: an artistic casket based on a previous model

The cultural substrate through time

The transformations of the hall through the centuries

Transformations over the centuries

The balance between architecture and light

Interior decorations

The Gualtiero Cathedral

The king’s mark

A palimpsest of history

The chystro: a place between earth and sky

A chapel by an unknown designer based on repeated symmetries

Roger II of hauteville: a sovereign protected by God

Worship services

Porphyry sarcophagi: royalty and power

The Chapel of the Kings

The decorated facade

The Kings’ Cathedrals

The Chapel of St. Mary Magdalene

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Cathedral over the centuries

The dialogue between the architectures of the monumental complex

Squaring the circle

The construction of Monreale Cathedral: between myth and history

Survey of the royal tombs

From the Mosque to the Cathedral

Mosaic decoration

Cefalù: settlement evidence through time

Layers of different cultures decorate the external apses

The Virgin Hodegetria

The longest aisle

The cemetery of kings

The mosaics of the presbytery

The chapel of san Castrense: an important renaissance work

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The medieval city amidst monasticism and feudal aristocracy

The side Portico: a combination of elegance and lightness of form