Palermo Cathedral
The central body: the aisles

A remarkable ceiling

The central hall and aisles were covered by wooden roofs with massive oak beams, lacquered and decorated with resplendent shades of silver, white, yellow and black. In the concave and blue border, there were inscriptions in Greek characters, according to historical records : “the roof is adorned with a distinguished and elegant chiselling, an admirable variety of painting, the colour saffron and ‘ultramarine’ and golds, radiating splendour everywhere; gilded wooden flowers hang from the roof, resembling an inverted pyramid”.
The roof of the central hall, supported by nineteen large trusses, was made “ fairing-like ”, similar to the shape of an upturned ship, with an evangelical reference to “ Peter's ship carrying the faithful ”. Above the beams of the “ chains , a wooden walkway was placed at the centre for the control and maintenance of the entire nave. The system, which is also found in the Cefalù Cathedral , is known as the “ Dromic roof “.

The king’s mark

The towers facing the facade used as bell towers

Ecclesia munita

A cloister of accentuated stylistic variety

The Great Presbytery: a unique space for the cathedral

The Kings’ Cathedrals

The decorated facade

A palimpsest of history

Roger II’s strategic design

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chapel of St. Benedict

The area of the Sanctuary

The liturgical spaces of the protesis and the diaconicon

Mosaic decoration

Tempus fugit: a strategic project implemented in a short period of time

The Gualtiero Cathedral

Porphyry sarcophagi: royalty and power

The original design

Norman religious architecture with islamic influences in Sicily

The side Portico: a combination of elegance and lightness of form

The stone bible

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A polysemy of high-level artistic forms and content

A compositional design that combines nordic examples with new artistic languages, over the centuries

Layers of different cultures decorate the external apses

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The side aisles

The longest aisle

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The balance between architecture and light

Beyond the harmony of proportions

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The mosaics of the apses

A new Cathedral

Two initially similar towers, varied over time

The cemetery of kings

The beginning of the construction site

The dialogue between the architectures of the monumental complex

The Cathedral over the centuries

A tree full of life

Cefalù: settlement evidence through time

The medieval city amidst monasticism and feudal aristocracy

Palermo: the happiest city

The Bible carved in stone

The rediscovered chapel

The chapel of the crucifix: an artistic casket based on a previous model

A remarkable ceiling

Squaring the circle

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Survey of the royal tombs

A mixture of styles pervades the floor decorations

The cultural substrate through time

The links between the hauteville family and the monastic orders in Sicily

The Chapel of St. Mary Magdalene

The columns of the nave: the meticulous study of the overall order

The mosaics of the presbytery

The lost chapel

Interior decorations

Under the crosses of the Bema

A controversial interpretation

The southern portico

Worship services

Roger II of hauteville: a sovereign protected by God

A chapel by an unknown designer based on repeated symmetries

The Great Restoration

Transformations over the centuries

The construction of Monreale Cathedral: between myth and history

A space between the visible and the invisible

From the main gate to the aisles: an invitation to a journey of faith

The senses tell Context 1

Gardens and architecture as a backdrop to the city of Palermo

Characteristics of religious architecture in the romanesque period

The transformations of the hall through the centuries

A Northern population

Artistic elements in Peter’s ship

The chystro: a place between earth and sky

The chorus: beating heart of the cathedral

The chapel of san Castrense: an important renaissance work

From the Mosque to the Cathedral

The Chapel of the Kings

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Virgin Hodegetria

The towers and the western facade