Palermo Cathedral
The central body: the aisles

A remarkable ceiling

The central hall and aisles were covered by wooden roofs with massive oak beams, lacquered and decorated with resplendent shades of silver, white, yellow and black. In the concave and blue border, there were inscriptions in Greek characters, according to historical records : “the roof is adorned with a distinguished and elegant chiselling, an admirable variety of painting, the colour saffron and ‘ultramarine’ and golds, radiating splendour everywhere; gilded wooden flowers hang from the roof, resembling an inverted pyramid”.
The roof of the central hall, supported by nineteen large trusses, was made “ fairing-like ”, similar to the shape of an upturned ship, with an evangelical reference to “ Peter's ship carrying the faithful ”. Above the beams of the “ chains , a wooden walkway was placed at the centre for the control and maintenance of the entire nave. The system, which is also found in the Cefalù Cathedral , is known as the “ Dromic roof “.

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Kings’ Cathedrals

Gardens and architecture as a backdrop to the city of Palermo

The chorus: beating heart of the cathedral

Artistic elements in Peter’s ship

A controversial interpretation

Tempus fugit: a strategic project implemented in a short period of time

The chapel of the crucifix: an artistic casket based on a previous model

The Bible carved in stone

The chapel of St. Benedict

Roger II’s strategic design

The Virgin Hodegetria

Ecclesia munita

The Great Presbytery: a unique space for the cathedral

The columns of the nave: the meticulous study of the overall order

Under the crosses of the Bema

A polysemy of high-level artistic forms and content

A cloister of accentuated stylistic variety

The chapel of san Castrense: an important renaissance work

Porphyry sarcophagi: royalty and power

A tree full of life

The cultural substrate through time

The southern portico

The towers facing the facade used as bell towers

Two initially similar towers, varied over time

From the Mosque to the Cathedral

Interior decorations

The transformations of the hall through the centuries

The decorated facade

A remarkable ceiling

The lost chapel

The longest aisle

The stone bible

The king’s mark

The Cathedral over the centuries

From the main gate to the aisles: an invitation to a journey of faith

Survey of the royal tombs

Worship services

Characteristics of religious architecture in the romanesque period

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The liturgical spaces of the protesis and the diaconicon

The mosaics of the presbytery

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Mosaic decoration

The Chapel of the Kings

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell Context 1

A chapel by an unknown designer based on repeated symmetries

The construction of Monreale Cathedral: between myth and history

A Northern population

The Gualtiero Cathedral

The rediscovered chapel

Palermo: the happiest city

The side Portico: a combination of elegance and lightness of form

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A compositional design that combines nordic examples with new artistic languages, over the centuries

The dialogue between the architectures of the monumental complex

Norman religious architecture with islamic influences in Sicily

The chystro: a place between earth and sky

Cefalù: settlement evidence through time

The links between the hauteville family and the monastic orders in Sicily

Layers of different cultures decorate the external apses

A mixture of styles pervades the floor decorations

The beginning of the construction site

A space between the visible and the invisible

The cemetery of kings

The Great Restoration

Transformations over the centuries

The balance between architecture and light

The medieval city amidst monasticism and feudal aristocracy

The side aisles

The original design

Beyond the harmony of proportions

The mosaics of the apses

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Squaring the circle

The area of the Sanctuary

The Chapel of St. Mary Magdalene

The towers and the western facade

A new Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A palimpsest of history

Roger II of hauteville: a sovereign protected by God