Palermo Cathedral
The central body: the aisles

A remarkable ceiling

The central hall and aisles were covered by wooden roofs with massive oak beams, lacquered and decorated with resplendent shades of silver, white, yellow and black. In the concave and blue border, there were inscriptions in Greek characters, according to historical records : “the roof is adorned with a distinguished and elegant chiselling, an admirable variety of painting, the colour saffron and ‘ultramarine’ and golds, radiating splendour everywhere; gilded wooden flowers hang from the roof, resembling an inverted pyramid”.
The roof of the central hall, supported by nineteen large trusses, was made “ fairing-like ”, similar to the shape of an upturned ship, with an evangelical reference to “ Peter's ship carrying the faithful ”. Above the beams of the “ chains , a wooden walkway was placed at the centre for the control and maintenance of the entire nave. The system, which is also found in the Cefalù Cathedral , is known as the “ Dromic roof “.

The lost chapel

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Mosaic decoration

The southern portico

Two initially similar towers, varied over time

Cefalù: settlement evidence through time

The longest aisle

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The dialogue between the architectures of the monumental complex

A new Cathedral

The links between the hauteville family and the monastic orders in Sicily

The side aisles

The Gualtiero Cathedral

The liturgical spaces of the protesis and the diaconicon

The chapel of the crucifix: an artistic casket based on a previous model

A cloister of accentuated stylistic variety

The area of the Sanctuary

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Porphyry sarcophagi: royalty and power

Characteristics of religious architecture in the romanesque period

The Cathedral over the centuries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Virgin Hodegetria

Gardens and architecture as a backdrop to the city of Palermo

The Great Presbytery: a unique space for the cathedral

The mosaics of the presbytery

A chapel by an unknown designer based on repeated symmetries

A palimpsest of history

A mixture of styles pervades the floor decorations

From the main gate to the aisles: an invitation to a journey of faith

The Kings’ Cathedrals

Transformations over the centuries

Squaring the circle

Ecclesia munita

The side Portico: a combination of elegance and lightness of form

The chapel of san Castrense: an important renaissance work

A compositional design that combines nordic examples with new artistic languages, over the centuries

The king’s mark

Palermo: the happiest city

Worship services

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A space between the visible and the invisible

A tree full of life

Roger II’s strategic design

From the Mosque to the Cathedral

Roger II of hauteville: a sovereign protected by God

Under the crosses of the Bema

The balance between architecture and light

The chorus: beating heart of the cathedral

The mosaics of the apses

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The rediscovered chapel

The chystro: a place between earth and sky

The stone bible

The columns of the nave: the meticulous study of the overall order

Survey of the royal tombs

Tempus fugit: a strategic project implemented in a short period of time

Interior decorations

The transformations of the hall through the centuries

The construction of Monreale Cathedral: between myth and history

The beginning of the construction site

The towers facing the facade used as bell towers

Layers of different cultures decorate the external apses

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A controversial interpretation

Norman religious architecture with islamic influences in Sicily

A polysemy of high-level artistic forms and content

The cemetery of kings

The towers and the western facade

The senses tell Context 1

A remarkable ceiling

Artistic elements in Peter’s ship

The Chapel of St. Mary Magdalene

The original design

The cultural substrate through time

The decorated facade

A Northern population

Beyond the harmony of proportions

The Bible carved in stone

The medieval city amidst monasticism and feudal aristocracy

The Chapel of the Kings

The Great Restoration

The chapel of St. Benedict