Palermo Cathedral
The central body: the aisles

A remarkable ceiling

The central hall and aisles were covered by wooden roofs with massive oak beams, lacquered and decorated with resplendent shades of silver, white, yellow and black. In the concave and blue border, there were inscriptions in Greek characters, according to historical records : “the roof is adorned with a distinguished and elegant chiselling, an admirable variety of painting, the colour saffron and ‘ultramarine’ and golds, radiating splendour everywhere; gilded wooden flowers hang from the roof, resembling an inverted pyramid”.
The roof of the central hall, supported by nineteen large trusses, was made “ fairing-like ”, similar to the shape of an upturned ship, with an evangelical reference to “ Peter's ship carrying the faithful ”. Above the beams of the “ chains , a wooden walkway was placed at the centre for the control and maintenance of the entire nave. The system, which is also found in the Cefalù Cathedral , is known as the “ Dromic roof “.

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The lost chapel

A space between the visible and the invisible

The cultural substrate through time

The beginning of the construction site

The southern portico

A palimpsest of history

Transformations over the centuries

Porphyry sarcophagi: royalty and power

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A tree full of life

Palermo: the happiest city

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Roger II of hauteville: a sovereign protected by God

A new Cathedral

The Great Restoration

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Cathedral over the centuries

The chorus: beating heart of the cathedral

Artistic elements in Peter’s ship

The mosaics of the apses

A polysemy of high-level artistic forms and content

The dialogue between the architectures of the monumental complex

The rediscovered chapel

The liturgical spaces of the protesis and the diaconicon

Tempus fugit: a strategic project implemented in a short period of time

A Northern population

Roger II’s strategic design

Survey of the royal tombs

The decorated facade

The stone bible

The chapel of the crucifix: an artistic casket based on a previous model

The chapel of san Castrense: an important renaissance work

The towers facing the facade used as bell towers

The area of the Sanctuary

The original design

The side aisles

From the main gate to the aisles: an invitation to a journey of faith

The transformations of the hall through the centuries

The Gualtiero Cathedral

The construction of Monreale Cathedral: between myth and history

A remarkable ceiling

Mosaic decoration

A cloister of accentuated stylistic variety

The medieval city amidst monasticism and feudal aristocracy

A mixture of styles pervades the floor decorations

Worship services

Two initially similar towers, varied over time

The longest aisle

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A compositional design that combines nordic examples with new artistic languages, over the centuries

The king’s mark

The Kings’ Cathedrals

The cemetery of kings

Characteristics of religious architecture in the romanesque period

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chapel of St. Benedict

The towers and the western facade

The Virgin Hodegetria

The columns of the nave: the meticulous study of the overall order

Squaring the circle

From the Mosque to the Cathedral

A controversial interpretation

The mosaics of the presbytery

Cefalù: settlement evidence through time

The balance between architecture and light

The links between the hauteville family and the monastic orders in Sicily

A chapel by an unknown designer based on repeated symmetries

The side Portico: a combination of elegance and lightness of form

Norman religious architecture with islamic influences in Sicily

Ecclesia munita

Gardens and architecture as a backdrop to the city of Palermo

Interior decorations

The Chapel of St. Mary Magdalene

Under the crosses of the Bema

Beyond the harmony of proportions

The chystro: a place between earth and sky

The Chapel of the Kings

The Bible carved in stone

The senses tell Context 1

The Great Presbytery: a unique space for the cathedral

Layers of different cultures decorate the external apses