Palermo Cathedral
St. Mary Magdalene

The rediscovered chapel

It was only after recent studies carried out in connection to the restoration work performed in Palermo Cathedral since the 1980s that the Magdalene Chapel was identified in the exact place where it was built, next to the wall of the mother church, as reported in Gualtiero’s petition. It is, therefore, identifiable in the lower part of the Old Sacristy, whose external cornice decoration is the same in the first and second orders of the scalar towers, which date back to medieval times.
The interior of the building shows the difference between the two overlapping buildings. The part erected in the 15th century, with ribbed vaults covering the room, had also partially concealed two large single-lancet windows, which provided light to the inside of the Antititulo , close to the apse of the Diaconico .

The building is raised by about one metre from the external level. Underneath, there is a crypt with several chambers and a rectangular hatch in the vault, indicating its use as a burial place, according to its original purpose. The chapel, built at the behest of Queen Elvira, uncovered another interesting detail, namely a small compartment in the masonry connecting the chapel to the apse of the Diaconico.
This room, which is similar to the contemporary one in Cefalù Cathedral, was probably the Queen’s gallery, where she could attend the sacred functions without being present in the presbytery area itself. The room, about 5 metres high, could be accessed via a wooden balcony, which has now been removed. It was connected to an opening in the eastern wall, which belonged to the original chapel and could be reached by a spiral staircase, which also gave access to the crypt below.

Roger II’s strategic design

Roger II of hauteville: a sovereign protected by God

Beyond the harmony of proportions

The Kings’ Cathedrals

Norman religious architecture with islamic influences in Sicily

A remarkable ceiling

The cultural substrate through time

Tempus fugit: a strategic project implemented in a short period of time

The dialogue between the architectures of the monumental complex

Two initially similar towers, varied over time

From the main gate to the aisles: an invitation to a journey of faith

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Gualtiero Cathedral

The links between the hauteville family and the monastic orders in Sicily

A compositional design that combines nordic examples with new artistic languages, over the centuries

Palermo: the happiest city

The mosaics of the presbytery

The area of the Sanctuary

Squaring the circle

A controversial interpretation

A mixture of styles pervades the floor decorations

The chapel of san Castrense: an important renaissance work

The king’s mark

Cefalù: settlement evidence through time

The Chapel of St. Mary Magdalene

The side aisles

Ecclesia munita

A cloister of accentuated stylistic variety

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The side Portico: a combination of elegance and lightness of form

A polysemy of high-level artistic forms and content

The medieval city amidst monasticism and feudal aristocracy

The beginning of the construction site

The towers and the western facade

The mosaics of the apses

A new Cathedral

The Bible carved in stone

The rediscovered chapel

The original design

The decorated facade

Survey of the royal tombs

Under the crosses of the Bema

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The construction of Monreale Cathedral: between myth and history

The stone bible

The southern portico

Mosaic decoration

The Virgin Hodegetria

The chapel of the crucifix: an artistic casket based on a previous model

A palimpsest of history

A space between the visible and the invisible

The cemetery of kings

The lost chapel

Interior decorations

The liturgical spaces of the protesis and the diaconicon

The chorus: beating heart of the cathedral

Gardens and architecture as a backdrop to the city of Palermo

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The transformations of the hall through the centuries

Transformations over the centuries

The columns of the nave: the meticulous study of the overall order

From the Mosque to the Cathedral

A Northern population

The longest aisle

Artistic elements in Peter’s ship

The Great Restoration

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Characteristics of religious architecture in the romanesque period

The Chapel of the Kings

The balance between architecture and light

The Cathedral over the centuries

Layers of different cultures decorate the external apses

The chapel of St. Benedict

The senses tell Context 1

The towers facing the facade used as bell towers

The Great Presbytery: a unique space for the cathedral

A tree full of life

A chapel by an unknown designer based on repeated symmetries

Porphyry sarcophagi: royalty and power

The chystro: a place between earth and sky

Worship services