Monreale Cathedral
the Great Presbytery

The chapel of the crucifix: an artistic casket based on a previous model

A significant trace, still visible in the architecture of Monreale Cathedral, can be attributed to Archbishop Giovanni Ruano , who built the Chapel of the Crucifix, his main work inside the Temple. It was consecrated in 1692, after a short period of work between the date of its design in 1686 by the Capuchin Friar Giovanni da Monreale , whose work was continued by the Jesuit Angelo Italia , and its completion in 1690.The portal , decorated with sacred and profane themes ,  Is located at the side of the Chapel of the Sacrament, which is accessed from the left wing of the transept. The decoration already suggests the celebratory purpose of this space, which was dedicated to the veneration of the crucifix and at the same time to the burial of the archbishop himself and his successors.
From the architecture of this place, consisting of a lowered barrel vault , it is possible to trace the original connection between the Church and the Royal Palace , destroyed by Cardinal Giovanni Borgia in order to build a road and later restored through the adoption of a covered passageway distinguished by grey marble walls.
Even from this area, the reference to the family of its founder becomes inescapable, as can be seen from the coats of arms that reach the ribs visible on the vault.

Mosaic decoration

Survey of the royal tombs

The beginning of the construction site

The dialogue between the architectures of the monumental complex

The cultural substrate through time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Roger II’s strategic design

The towers facing the facade used as bell towers

Interior decorations

The mosaics of the apses

The longest aisle

The Chapel of the Kings

Cefalù: settlement evidence through time

The rediscovered chapel

The links between the hauteville family and the monastic orders in Sicily

The Chapel of St. Mary Magdalene

A remarkable ceiling

Squaring the circle

The area of the Sanctuary

The chapel of the crucifix: an artistic casket based on a previous model

The Kings’ Cathedrals

Beyond the harmony of proportions

Artistic elements in Peter’s ship

The side Portico: a combination of elegance and lightness of form

The stone bible

The balance between architecture and light

Transformations over the centuries

Layers of different cultures decorate the external apses

The columns of the nave: the meticulous study of the overall order

The construction of Monreale Cathedral: between myth and history

The lost chapel

Two initially similar towers, varied over time

The Cathedral over the centuries

Worship services

The cemetery of kings

Ecclesia munita

A palimpsest of history

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

From the main gate to the aisles: an invitation to a journey of faith

The Bible carved in stone

The Gualtiero Cathedral

Gardens and architecture as a backdrop to the city of Palermo

Characteristics of religious architecture in the romanesque period

A space between the visible and the invisible

A cloister of accentuated stylistic variety

A chapel by an unknown designer based on repeated symmetries

The medieval city amidst monasticism and feudal aristocracy

The chystro: a place between earth and sky

A new Cathedral

A polysemy of high-level artistic forms and content

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The decorated facade

From the Mosque to the Cathedral

The chapel of St. Benedict

Porphyry sarcophagi: royalty and power

A Northern population

The Virgin Hodegetria

The mosaics of the presbytery

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Norman religious architecture with islamic influences in Sicily

The Great Restoration

A compositional design that combines nordic examples with new artistic languages, over the centuries

The towers and the western facade

The king’s mark

A mixture of styles pervades the floor decorations

The chorus: beating heart of the cathedral

The original design

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Tempus fugit: a strategic project implemented in a short period of time

The senses tell Context 1

The southern portico

The liturgical spaces of the protesis and the diaconicon

The Great Presbytery: a unique space for the cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II of hauteville: a sovereign protected by God

Under the crosses of the Bema

The chapel of san Castrense: an important renaissance work

A tree full of life

Palermo: the happiest city

The transformations of the hall through the centuries

A controversial interpretation

The side aisles