Palermo Cathedral
the Portico and the Floor

The senses tell the Portico and the Floor

hearing
The faithful gather on the floor

On the southern façade of the Cathedral, the faithful gather in front of the entrance to the church, in the large outdoor area.
They gather under the marvellous Catalan Gothic portico, the work of Magister Antonio Gambara, and prepare to attend religious services. People from all walks of life are present, flocking to give thanks and praise to the Assumption of Mary, to whom the Cathedral is dedicated. Before crossing the threshold, they talk to each other while the tolling of the bells announcing the imminent celebration spreads from the bell tower to the floor and all the surrounding streets.

sight
A tree full of life

In the flat area of the portico façade, between the arched sixths and the band above, which is ordered with the theory of the saints, a series of spirals comes to life, with figures of various kinds. The eyes of the beholder are filled with wonder: a fascinating tree of life appears, almost as if by magic. The intertwining of the tree’s spiral structure starts with a female figure. The woman holds branches in her hands, winding from the left to the right and containing mythical figures from medieval bestiaries.

touch
A Catalan Gothic portico

One can still admire the skill with which Antonio Gambara created the portico, in 1429, using reused materials. The stone’s durability was moulded by the skilful hands of the Magister, who envisaged a work of art in the Catalan Gothic style. Entrance is gained through three pointed arches resting on reused columns with capitals decorated with plant motifs. The three arches are decorated with a twisted frame.

A new Cathedral

Mosaic decoration

A chapel by an unknown designer based on repeated symmetries

The southern portico

The lost chapel

The senses tell Context 1

The links between the hauteville family and the monastic orders in Sicily

A polysemy of high-level artistic forms and content

Transformations over the centuries

The king’s mark

A controversial interpretation

The side Portico: a combination of elegance and lightness of form

The cultural substrate through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

From the main gate to the aisles: an invitation to a journey of faith

The area of the Sanctuary

The Chapel of St. Mary Magdalene

The columns of the nave: the meticulous study of the overall order

The liturgical spaces of the protesis and the diaconicon

The beginning of the construction site

The Cathedral over the centuries

Artistic elements in Peter’s ship

Roger II of hauteville: a sovereign protected by God

Characteristics of religious architecture in the romanesque period

Ecclesia munita

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The stone bible

The transformations of the hall through the centuries

The original design

From the Mosque to the Cathedral

The Bible carved in stone

Beyond the harmony of proportions

A remarkable ceiling

Two initially similar towers, varied over time

Tempus fugit: a strategic project implemented in a short period of time

Cefalù: settlement evidence through time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The cemetery of kings

The decorated facade

Worship services

Roger II’s strategic design

The Great Presbytery: a unique space for the cathedral

A cloister of accentuated stylistic variety

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chystro: a place between earth and sky

The chapel of san Castrense: an important renaissance work

A tree full of life

A space between the visible and the invisible

The balance between architecture and light

A compositional design that combines nordic examples with new artistic languages, over the centuries

Porphyry sarcophagi: royalty and power

The construction of Monreale Cathedral: between myth and history

The towers and the western facade

The dialogue between the architectures of the monumental complex

The chorus: beating heart of the cathedral

The chapel of St. Benedict

A mixture of styles pervades the floor decorations

The Chapel of the Kings

The rediscovered chapel

Interior decorations

The longest aisle

The side aisles

Norman religious architecture with islamic influences in Sicily

Squaring the circle

The Kings’ Cathedrals

Palermo: the happiest city

The mosaics of the presbytery

The Virgin Hodegetria

A Northern population

Layers of different cultures decorate the external apses

The medieval city amidst monasticism and feudal aristocracy

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Gualtiero Cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chapel of the crucifix: an artistic casket based on a previous model

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the apses

A palimpsest of history

Survey of the royal tombs

The towers facing the facade used as bell towers

Under the crosses of the Bema

The Great Restoration

Gardens and architecture as a backdrop to the city of Palermo