Palermo Cathedral
The central body: the aisles

A remarkable ceiling

The central hall and aisles were covered by wooden roofs with massive oak beams, lacquered and decorated with resplendent shades of silver, white, yellow and black. In the concave and blue border, there were inscriptions in Greek characters, according to historical records : “the roof is adorned with a distinguished and elegant chiselling, an admirable variety of painting, the colour saffron and ‘ultramarine’ and golds, radiating splendour everywhere; gilded wooden flowers hang from the roof, resembling an inverted pyramid”.
The roof of the central hall, supported by nineteen large trusses, was made “ fairing-like ”, similar to the shape of an upturned ship, with an evangelical reference to “ Peter's ship carrying the faithful ”. Above the beams of the “ chains , a wooden walkway was placed at the centre for the control and maintenance of the entire nave. The system, which is also found in the Cefalù Cathedral , is known as the “ Dromic roof “.

From the main gate to the aisles: an invitation to a journey of faith

The lost chapel

Two initially similar towers, varied over time

The cemetery of kings

The towers and the western facade

The area of the Sanctuary

The chapel of san Castrense: an important renaissance work

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the apses

A controversial interpretation

The southern portico

The liturgical spaces of the protesis and the diaconicon

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The construction of Monreale Cathedral: between myth and history

The Gualtiero Cathedral

The Chapel of the Kings

The cultural substrate through time

A mixture of styles pervades the floor decorations

The transformations of the hall through the centuries

Tempus fugit: a strategic project implemented in a short period of time

The chapel of the crucifix: an artistic casket based on a previous model

The Great Presbytery: a unique space for the cathedral

The Cathedral over the centuries

The balance between architecture and light

Worship services

Layers of different cultures decorate the external apses

A cloister of accentuated stylistic variety

Cefalù: settlement evidence through time

The original design

The beginning of the construction site

From the Mosque to the Cathedral

The Kings’ Cathedrals

A space between the visible and the invisible

The rediscovered chapel

A tree full of life

Interior decorations

The links between the hauteville family and the monastic orders in Sicily

A chapel by an unknown designer based on repeated symmetries

A remarkable ceiling

A Northern population

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The decorated facade

The Chapel of St. Mary Magdalene

The side Portico: a combination of elegance and lightness of form

Roger II of hauteville: a sovereign protected by God

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Palermo: the happiest city

Mosaic decoration

The columns of the nave: the meticulous study of the overall order

The stone bible

Beyond the harmony of proportions

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Gardens and architecture as a backdrop to the city of Palermo

A polysemy of high-level artistic forms and content

The king’s mark

Norman religious architecture with islamic influences in Sicily

Survey of the royal tombs

A new Cathedral

The Great Restoration

Characteristics of religious architecture in the romanesque period

A compositional design that combines nordic examples with new artistic languages, over the centuries

A palimpsest of history

The side aisles

The dialogue between the architectures of the monumental complex

The chystro: a place between earth and sky

Roger II’s strategic design

The medieval city amidst monasticism and feudal aristocracy

Ecclesia munita

The towers facing the facade used as bell towers

Under the crosses of the Bema

The longest aisle

Porphyry sarcophagi: royalty and power

The chapel of St. Benedict

The Bible carved in stone

Transformations over the centuries

The senses tell Context 1

Squaring the circle

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The mosaics of the presbytery

The Virgin Hodegetria

Artistic elements in Peter’s ship

The chorus: beating heart of the cathedral