Biapsidal ambulacrum known as "corridor of the great hunt"

The capture of wild animals for the roman amphitheatre games

This is one of the largest and most dominant spaces of the late antiquity residence, with the function of connecting a number of rooms: as a place of passage to access the basilica , an axis of distribution for the main apartments and area of connection with the triapsidal triclinium . The floor mosaic of the “Corridor of the Great hunt”, which is around 60 metres long, uses architecture and images to shows the social importance of the dominus. It is presented as a great hunting manual, and depicts the capture in the extreme regions of the Empire of exotic animals to be exhibited during the venationes , the shows in the Amphitheatre of Rome.The mosaic composition is divided into seven scenes, split into three registers, with wild or urbanised landscape backgrounds, generic scenes focused, above all, on animal chases, and episodes of capturing and transporting wild beasts on boats bound for the capital, the centre of the Empire.

Unlike the Hall of the “Small Hunt”, no animal killings are represented.
The story takes shape from the north apse , occupied by the figure of Mauritania, who with her thick dark hair introduces the capture of animals in the African provinces, ending in the south apse, with the personification of India or Ethiopia by an incense tree.The description of the grandiose deployment of animals captured to be sent to Rome and coming from the farthest provinces and even from the mythological universe, such as the griffin, has a clear intent to celebrate the magnificence of the villa’s commissioner and the empire’s ordering function over the “barbaric” regions it had conquered.

A day of hunting at the villa

The apotheosis of Hercules

A large colonnaded portico, a place of connection between the rooms

The senses tell the Basilica

The senses tell the Quadrangular Peristyle

The protagonists of the mosaics

The golden age: hypotheses about the villa’s period of construction and clues

The mosaics of the late antiquity residence

Banquets and panegyrics enlivened the vast hall, against the background of a floor mosaic celebrating the feats of Hercules

The Latifundium

Semi-public rooms

The senses tell the Bi-Apsed room

An eloquent symbol: the signum

The senses tell the bi-apsed ambulatory – Corridor of the “Great Hunt”

The public and private rooms of the villa

A small room represents one of the activities of the thermal bath route

The rural sacrifice

Solemn and majestic architecture to welcome a high-ranking commissioner

The mansio of Philosophiana. A stopping place

The senses tell the massage room

A royal room housed the Dominus during his audiences

The senses tell the frigidarium

High-ranking characters depicted in the mosaics of the apsidal niches of the frigidarium

The main nuclei of the Domus

Is the profile of the dominus hidden among the scenes depicted in the mosaics?

The senses tell the private entrance to the spa

The late antiquity residence: locus amoenus and centre of administrative activities in the heart of Sicily

The senses tell the Tri-Apsed Triclinium

The astral interpretation of the mosaic

An official ceremony to welcome the Dominus

A view of the race from the imperial gallery

Outdoor breakfast

A hidden meaning

The realistic depiction of a spa procession with a high-ranking female figure

The senses tell the room in the private apartment known as “small hunt”

The senses tell the Sacellum of the Lares

The capture of wild animals for the roman amphitheatre games

An individual who has attracted the attention of scholars

A chariot race, set in the circus Maximus of Rome, connects the villa to the city and centre of power

Form of greeting or ritual?

The catalogue of animals

The senses tell the Vestibule

A small room embellished with marble

A line of armed men for an important Dominus

A small room used as a privileged entrance to the baths

The prestige of the dominus is revealed through the wall frescoes

The marble from the regions of the empire to decorate the basilica

Auspicious symbols and perhaps the initials of the commissioner’s name decorate the mosaic of the apsidal room

The possible celebration of a solemn event

The protagonists of the mosaic and the military themed frescoes

Worship of the Lares

An organic microcosm: the structure of the villa

The paths of virus, a reflection of the Dominus

The senses tell the monumental entrance

A dialogue between mythological and realistic scenes