The context - the Villa

Is the profile of the dominus hidden among the scenes depicted in the mosaics?

The large number of mosaics decorating the rooms of the Villa del Casale and the variety of subjects represented, which can be traced back to the end of the 3rd and the first half of the 4th century AD, with evident differences in compositional styles, suggests the intervention of different groups of mosaicists and periods of execution that were not always contemporary.The careful observation of the scenes and the type of content leads us to think of an individual of the highest rank, who wanted to imprint in the mosaics a reflection of his culture and the role he played in Rome in the late empire.

Various themes celebrate realistic scenes, which recall the figure of the dominus, master of the house, such as the mosaic of the adventus in the vestibule and the hall of the “small hunt”, or which are reminiscent of Rome and its circus performances, such as the mosaic of the “great hunt” and the chariot race in the biapsidal hall .
In the mythological scenes we also find a heroic celebration of the commissioner through images of the triumph of reason and virtue over the wild forces of nature: Hercules who defeats the giants, Orpheus who tames the land animals and Arion who tames the sea animals.
Finally, the generic scenes with busts depicting the seasons, or the xenia, hospitable gifts of fruit, birds or fish, together with the numerous scenes of fisherman or grape harvesting erotes, also attributable to an important figure who, through these subjects, sought to emphasise the productivity of his land.

The realistic depiction of a spa procession with a high-ranking female figure

The senses tell the Sacellum of the Lares

Worship of the Lares

The senses tell the Tri-Apsed Triclinium

Form of greeting or ritual?

The mansio of Philosophiana. A stopping place

The Latifundium

The senses tell the room in the private apartment known as “small hunt”

A dialogue between mythological and realistic scenes

A chariot race, set in the circus Maximus of Rome, connects the villa to the city and centre of power

The capture of wild animals for the roman amphitheatre games

The senses tell the massage room

The senses tell the Vestibule

An organic microcosm: the structure of the villa

Is the profile of the dominus hidden among the scenes depicted in the mosaics?

The public and private rooms of the villa

An official ceremony to welcome the Dominus

The possible celebration of a solemn event

The senses tell the monumental entrance

The senses tell the Basilica

The mosaics of the late antiquity residence

The protagonists of the mosaic and the military themed frescoes

An individual who has attracted the attention of scholars

Solemn and majestic architecture to welcome a high-ranking commissioner

The senses tell the private entrance to the spa

The marble from the regions of the empire to decorate the basilica

A day of hunting at the villa

Outdoor breakfast

A royal room housed the Dominus during his audiences

The senses tell the frigidarium

A hidden meaning

The senses tell the Bi-Apsed room

The senses tell the bi-apsed ambulatory – Corridor of the “Great Hunt”

A small room used as a privileged entrance to the baths

High-ranking characters depicted in the mosaics of the apsidal niches of the frigidarium

The catalogue of animals

The astral interpretation of the mosaic

A line of armed men for an important Dominus

The main nuclei of the Domus

The apotheosis of Hercules

The golden age: hypotheses about the villa’s period of construction and clues

A large colonnaded portico, a place of connection between the rooms

The rural sacrifice

The paths of virus, a reflection of the Dominus

A view of the race from the imperial gallery

The late antiquity residence: locus amoenus and centre of administrative activities in the heart of Sicily

A small room embellished with marble

The prestige of the dominus is revealed through the wall frescoes

Banquets and panegyrics enlivened the vast hall, against the background of a floor mosaic celebrating the feats of Hercules

The protagonists of the mosaics

Semi-public rooms

A small room represents one of the activities of the thermal bath route

Auspicious symbols and perhaps the initials of the commissioner’s name decorate the mosaic of the apsidal room

The senses tell the Quadrangular Peristyle

An eloquent symbol: the signum