Salina

The ancient production of salt

At the natural lake of Lingua there are the remains of an ancient salt production plant, which is where the island of Salina takes its name (sale is Italian for salt).
The most significant testimonies date back to the first Roman imperial age, i.e. to the 1st-2nd century AD, of which the lower part of the partition walls, built with the opus reticulatum technique , and the floor, made of poor lime and gravel, remain.
The ancient salt mine exploited this natural inlet created in the south-eastern part of the island. There was a connection with the surrounding sea, which filled the pools, which were then isolated and dried until the salt was deposited. Around 31 grams of pure sea salt is obtained from every litre of sea water.
This technique has not been used since the 18th century with the advent of the Industrial Revolution, when it was replaced by much less laborious and expensive techniques and technologies. The lake has therefore gradually filled up with water to its current state, where it is exactly at sea level. However, it is still perfectly isolated, acquiring the characteristics of a marshland, a protected and important site for bird life.

Salina, the green island with twin mountains

The summit craters

The underwater morphological elements of the Aeolian Islands

Lipari at the centre of Mediterranean history

Lipari, where history intertwines with volcanoes to create archaeology

Lipari Castle, “fused” with the lava

The underwater fumarolic activity of Lisca Bianca

“Strombolian” activity in the place where its definition was born

The senses tell The Stacks of Panarea

The ancient production of salt

The hidden part of the Aeolian Islands

Filicudi, a submerged paradise

The Aeolian Islands, where volcanology was born

The pure white of the pumice quarries

Stromboli, the volcano that breathes

Myths and legends about volcanoes

Tsunamis: a not uncommon phenomenon in Stromboli

At the heart of trade in history

Seven islands, dozens of volcanoes

The malleability of Vulcano’s mud

The Village of Capo Graziano

The Cathedral of Lipari and the Norman Cloister of the Benedictine Monastery

The senses tell The summit craters

Stories of the sea and shipwrecks. The wrecks of the Aeolian Islands

How pumice is formed

The senses tell The salt lake of Lingua

The senses tell The Village of Capo Graziano

Between brush strokes of sulphur and clouds of steam: the fumaroles of the port of Vulcano

The 2002-03 eruption

Alicudi, where time has stood still

Pollara, between poetry and beauty

The Gran Cratere of the Fossa: when the volcano becomes a sculptor

The salt lake of Lingua

Volcanoes as a natural art form

Filicudi: small island, big history

Vulcano, the youngest of the Aeolian works of art

The prehistoric village of Cala Junco

The Thermal Baths of Saint Calogerus

The senses tell The Pumice Quarries of Lipari

“Vulcanian” eruptions

The senses tell The Sciara del Fuoco

Where do Vulcano’s gases come from?

The Sciara del Fuoco

The stacks of Panarea

Panarea and its history

Panarea, where sea and volcanoes become sculptors

Malvasia delle Lipari DOC

The polis of the living and the necropolis of the dead