Salina

The ancient production of salt

At the natural lake of Lingua there are the remains of an ancient salt production plant, which is where the island of Salina takes its name (sale is Italian for salt).
The most significant testimonies date back to the first Roman imperial age, i.e. to the 1st-2nd century AD, of which the lower part of the partition walls, built with the opus reticulatum technique , and the floor, made of poor lime and gravel, remain.
The ancient salt mine exploited this natural inlet created in the south-eastern part of the island. There was a connection with the surrounding sea, which filled the pools, which were then isolated and dried until the salt was deposited. Around 31 grams of pure sea salt is obtained from every litre of sea water.
This technique has not been used since the 18th century with the advent of the Industrial Revolution, when it was replaced by much less laborious and expensive techniques and technologies. The lake has therefore gradually filled up with water to its current state, where it is exactly at sea level. However, it is still perfectly isolated, acquiring the characteristics of a marshland, a protected and important site for bird life.

Stories of the sea and shipwrecks. The wrecks of the Aeolian Islands

The senses tell The salt lake of Lingua

The summit craters

The Village of Capo Graziano

“Vulcanian” eruptions

“Strombolian” activity in the place where its definition was born

Panarea and its history

Malvasia delle Lipari DOC

The Aeolian Islands, where volcanology was born

How pumice is formed

Filicudi, a submerged paradise

The ancient production of salt

The prehistoric village of Cala Junco

Filicudi: small island, big history

Volcanoes as a natural art form

Myths and legends about volcanoes

The pure white of the pumice quarries

The hidden part of the Aeolian Islands

The senses tell The summit craters

Alicudi, where time has stood still

At the heart of trade in history

The senses tell The Stacks of Panarea

The salt lake of Lingua

Panarea, where sea and volcanoes become sculptors

The Cathedral of Lipari and the Norman Cloister of the Benedictine Monastery

The senses tell The Village of Capo Graziano

The malleability of Vulcano’s mud

Tsunamis: a not uncommon phenomenon in Stromboli

The polis of the living and the necropolis of the dead

Salina, the green island with twin mountains

The Thermal Baths of Saint Calogerus

The Sciara del Fuoco

Lipari at the centre of Mediterranean history

The senses tell The Pumice Quarries of Lipari

Stromboli, the volcano that breathes

Lipari Castle, “fused” with the lava

The 2002-03 eruption

The stacks of Panarea

The underwater morphological elements of the Aeolian Islands

The senses tell The Sciara del Fuoco

The underwater fumarolic activity of Lisca Bianca

Seven islands, dozens of volcanoes

Lipari, where history intertwines with volcanoes to create archaeology

Where do Vulcano’s gases come from?

Pollara, between poetry and beauty

Vulcano, the youngest of the Aeolian works of art

The Gran Cratere of the Fossa: when the volcano becomes a sculptor

Between brush strokes of sulphur and clouds of steam: the fumaroles of the port of Vulcano