Panarea, where sea and volcanoes become sculptors

Panarea is the smallest island of the archipelago in terms of size, but is probably the one with the most charm due to its natural beauty. Panarea is not only an island, but also a collection of many small isles and rocks with fantastic shapes and colours.

From a geological point of view, Panarea is the oldest in the archipelago, with products dating back over 330,000 years. Its volcanic structure has partially collapsed into the sea in the western and northern parts, resulting in uninhabitable steep slopes on the remaining part of the island. The eastern and southern parts of the island are flat. The height of what remains of the volcanic cone is 421 metres. The volcanic cone has remains of side craters formed over time.
The rocky spurs of Spinazzola, Basiluzzo, Panarelli, Dattilo, Lisca Bianca, Bottaro, Lisca Nera and Formiconi are wonderful. But do not be fooled by the island’s small size. Underwater Panarea is actually much more extensive. The current forms are the result of many caldera sinkings and explosions during the last stages of its eruption activity.
The town of Panarea is very small and consists of a series of well-tended and flowered alleys that connect the various parts of the town and the beaches. In antiquity, there were several names for Panarea: Euonymos (which is on the left, from Lipari towards Sicily) and Hycesia (the supplicant). Then Panaraion (the destroyed) appeared, following by Pagnaria (the cursed), Panaria, and finally Panarea.

The senses tell The salt lake of Lingua

Lipari Castle, “fused” with the lava

The senses tell The Village of Capo Graziano

The Gran Cratere of the Fossa: when the volcano becomes a sculptor

The summit craters

Seven islands, dozens of volcanoes

The senses tell The summit craters

The senses tell The Sciara del Fuoco

Filicudi: small island, big history

The ancient production of salt

The 2002-03 eruption

The malleability of Vulcano’s mud

The polis of the living and the necropolis of the dead

“Strombolian” activity in the place where its definition was born

Filicudi, a submerged paradise

The Village of Capo Graziano

Alicudi, where time has stood still

Myths and legends about volcanoes

The Sciara del Fuoco

Volcanoes as a natural art form

Lipari at the centre of Mediterranean history

The stacks of Panarea

The pure white of the pumice quarries

Lipari, where history intertwines with volcanoes to create archaeology

Panarea, where sea and volcanoes become sculptors

The prehistoric village of Cala Junco

The Thermal Baths of Saint Calogerus

The Cathedral of Lipari and the Norman Cloister of the Benedictine Monastery

Where do Vulcano’s gases come from?

Stromboli, the volcano that breathes

Salina, the green island with twin mountains

“Vulcanian” eruptions

Stories of the sea and shipwrecks. The wrecks of the Aeolian Islands

Between brush strokes of sulphur and clouds of steam: the fumaroles of the port of Vulcano

Vulcano, the youngest of the Aeolian works of art

The senses tell The Pumice Quarries of Lipari

Malvasia delle Lipari DOC

The hidden part of the Aeolian Islands

How pumice is formed

Tsunamis: a not uncommon phenomenon in Stromboli

The underwater fumarolic activity of Lisca Bianca

The senses tell The Stacks of Panarea

Panarea and its history

The underwater morphological elements of the Aeolian Islands

At the heart of trade in history

The salt lake of Lingua

The Aeolian Islands, where volcanology was born

Pollara, between poetry and beauty