Filicudi

Filicudi, a submerged paradise

Though the fifth largest island in the Aeolian archipelago, Filicudi is only partly inhabited. Despite its small size, the villages on the coast of Filicudi are dominated by an imposing volcanic structure , now inactive, 774 metres above sea level.

However, the base of the structure starts from around 1600 metres below sea level, making Filicudi an imposing volcano of around 2300 metres.
The coasts of the island are quite varied, from the level beaches of Capo Graziano to the marvellous coasts overhanging the sea, and the north-western coast, where the rock of “La Canna”, 71 metres tall, faces the natural arch of the “Perciato” and the wide “Grotta del Bue Marino” (Grotto of the Sea Oxen). The ancient name of Filicudi was Phoenicusa, from the ferns that grow abundantly throughout the island. The island has been inhabited since the 3rd millennium BC, as shown by excavations in the peninsula of Capo Graziano.
Even during the Greek and Roman rule, Filicudi was an important junction of the oil and wine trade, and the abundant underwater findings of wrecks with their commercial loads are proof of this.
At one time the island was cultivated with great difficulty by its inhabitants, and this is still witnessed today by the fact that the whole island is terraced with dry stone walls.

“Strombolian” activity in the place where its definition was born

Filicudi: small island, big history

Stromboli, the volcano that breathes

The salt lake of Lingua

The Gran Cratere of the Fossa: when the volcano becomes a sculptor

Filicudi, a submerged paradise

The senses tell The summit craters

The Sciara del Fuoco

The pure white of the pumice quarries

The senses tell The Sciara del Fuoco

The hidden part of the Aeolian Islands

The senses tell The Pumice Quarries of Lipari

Between brush strokes of sulphur and clouds of steam: the fumaroles of the port of Vulcano

The senses tell The Village of Capo Graziano

The polis of the living and the necropolis of the dead

The Thermal Baths of Saint Calogerus

At the heart of trade in history

Volcanoes as a natural art form

“Vulcanian” eruptions

Alicudi, where time has stood still

Seven islands, dozens of volcanoes

Panarea, where sea and volcanoes become sculptors

Where do Vulcano’s gases come from?

The underwater fumarolic activity of Lisca Bianca

The Village of Capo Graziano

Lipari Castle, “fused” with the lava

The senses tell The salt lake of Lingua

Lipari, where history intertwines with volcanoes to create archaeology

Malvasia delle Lipari DOC

The underwater morphological elements of the Aeolian Islands

Tsunamis: a not uncommon phenomenon in Stromboli

Myths and legends about volcanoes

The summit craters

Lipari at the centre of Mediterranean history

The Aeolian Islands, where volcanology was born

Salina, the green island with twin mountains

Stories of the sea and shipwrecks. The wrecks of the Aeolian Islands

Pollara, between poetry and beauty

The malleability of Vulcano’s mud

The Cathedral of Lipari and the Norman Cloister of the Benedictine Monastery

The 2002-03 eruption

The stacks of Panarea

The ancient production of salt

Panarea and its history

The senses tell The Stacks of Panarea

The prehistoric village of Cala Junco

Vulcano, the youngest of the Aeolian works of art

How pumice is formed