Sacellum Larum

A small room embellished with marble

In the western portico of the quadrangular peristyle that surrounds the spaces of the inner nucleus of the late antiquity domus, there is a snug and square-shaped apsidal room used as a sacellum, attributed to the worship of the Lares, i.e. a place generally small in size marked by the presence of an altar consecrated to one or several deities. The room is inserted in the ascending path of the villa, which outlines the public and official sector, which is especially recognisable for the marble covering of the walls in the most important rooms.The room was also embellished by a marble statue group, of which few fragments remain, depicting a young Hercules together with the Ceryneian Hind.
It is possible that, at the beginning, when there was still no brickwork to close the spaces between the columns, this place had the typical aedicula shape, a structure bordered by columns and a pediment, which perhaps housed the statue of the current emperor or the master of the villa.
Only later, with the transformation into an apsidal chamber, did some scholars speculate that it might have contained the sigillum, the effigy of the ancestors of the dominus, the lares familiares, in the form of a statuette that may have been made of wax, wood or terracotta.
In addition, the discovery of a semicircular fountain under the foundations, later replaced with the sacellum, perhaps an afterthought of the commissioner, supports the hypothesis that the main entrance of the villa originally coincided with the vestibule.

A day of hunting at the villa

The senses tell the monumental entrance

The capture of wild animals for the roman amphitheatre games

Solemn and majestic architecture to welcome a high-ranking commissioner

An individual who has attracted the attention of scholars

Outdoor breakfast

The public and private rooms of the villa

The apotheosis of Hercules

Banquets and panegyrics enlivened the vast hall, against the background of a floor mosaic celebrating the feats of Hercules

The protagonists of the mosaic and the military themed frescoes

Is the profile of the dominus hidden among the scenes depicted in the mosaics?

The astral interpretation of the mosaic

The realistic depiction of a spa procession with a high-ranking female figure

An official ceremony to welcome the Dominus

A royal room housed the Dominus during his audiences

A small room used as a privileged entrance to the baths

Auspicious symbols and perhaps the initials of the commissioner’s name decorate the mosaic of the apsidal room

The senses tell the room in the private apartment known as “small hunt”

The Latifundium

Worship of the Lares

Semi-public rooms

The paths of virus, a reflection of the Dominus

The senses tell the massage room

A line of armed men for an important Dominus

Form of greeting or ritual?

The prestige of the dominus is revealed through the wall frescoes

The golden age: hypotheses about the villa’s period of construction and clues

The senses tell the Bi-Apsed room

The mansio of Philosophiana. A stopping place

The possible celebration of a solemn event

A small room represents one of the activities of the thermal bath route

A hidden meaning

The mosaics of the late antiquity residence

A chariot race, set in the circus Maximus of Rome, connects the villa to the city and centre of power

The senses tell the Tri-Apsed Triclinium

The senses tell the Basilica

The senses tell the frigidarium

A view of the race from the imperial gallery

The catalogue of animals

The senses tell the Vestibule

The main nuclei of the Domus

A small room embellished with marble

An eloquent symbol: the signum

A dialogue between mythological and realistic scenes

High-ranking characters depicted in the mosaics of the apsidal niches of the frigidarium

The late antiquity residence: locus amoenus and centre of administrative activities in the heart of Sicily

The rural sacrifice

The senses tell the private entrance to the spa

A large colonnaded portico, a place of connection between the rooms

The senses tell the Quadrangular Peristyle

The protagonists of the mosaics

The senses tell the Sacellum of the Lares

An organic microcosm: the structure of the villa

The senses tell the bi-apsed ambulatory – Corridor of the “Great Hunt”

The marble from the regions of the empire to decorate the basilica