Vulcano

Between brush strokes of sulphur and clouds of steam: the fumaroles of the port of Vulcano

The port area of Vulcano is one that remains most impressed in the mind of visitors to the Aeolian Islands. The first thing you notice as you step off the hydrofoil is the classic smell of “rotten egg”, the unmistakable fumes coming from the volcanic fumaroles .
The unpleasant smell is given by sulphur, which is found inside the gases coming out of the fumaroles. The port area is located inside the last caldera of Vulcano, which is also where the most gas is emitted, which is why the smell is stronger.
In the port area, fumarole gases are released wherever there is soil not covered by concrete; in some areas where there are some wider cracks there are plumes of smoke. Fumaroles are also found in the seabeds in front of the port area: the fumaroles in front of the east beach of Vulcano are famous, where the sea literally “bubbles”.
The high temperature of the gases heats up that part of the sea, bringing the water to temperatures as high as 35-45 °C. Fumarole gases are also loaded with sulphur, which instantly solidifies in the form of sublimates , decreasing immediately from 120-140 °C to room temperature.
The whole port area, the Stack above, the alleys and the rock faces are the typical yellow shade of sulphur, which is combined with some white brush strokes of gypsum , also formed by the same process of sublimation.

Between brush strokes of sulphur and clouds of steam: the fumaroles of the port of Vulcano

The senses tell The salt lake of Lingua

The salt lake of Lingua

The underwater fumarolic activity of Lisca Bianca

Tsunamis: a not uncommon phenomenon in Stromboli

Malvasia delle Lipari DOC

Filicudi, a submerged paradise

The senses tell The summit craters

The senses tell The Village of Capo Graziano

Myths and legends about volcanoes

The polis of the living and the necropolis of the dead

The Thermal Baths of Saint Calogerus

The prehistoric village of Cala Junco

Volcanoes as a natural art form

Stories of the sea and shipwrecks. The wrecks of the Aeolian Islands

The Aeolian Islands, where volcanology was born

Vulcano, the youngest of the Aeolian works of art

Filicudi: small island, big history

The underwater morphological elements of the Aeolian Islands

Alicudi, where time has stood still

Where do Vulcano’s gases come from?

Panarea, where sea and volcanoes become sculptors

The ancient production of salt

The Village of Capo Graziano

The hidden part of the Aeolian Islands

“Strombolian” activity in the place where its definition was born

At the heart of trade in history

Salina, the green island with twin mountains

The senses tell The Sciara del Fuoco

The stacks of Panarea

The senses tell The Pumice Quarries of Lipari

Stromboli, the volcano that breathes

Seven islands, dozens of volcanoes

The pure white of the pumice quarries

Pollara, between poetry and beauty

The senses tell The Stacks of Panarea

The Gran Cratere of the Fossa: when the volcano becomes a sculptor

The Cathedral of Lipari and the Norman Cloister of the Benedictine Monastery

“Vulcanian” eruptions

How pumice is formed

The summit craters

Lipari, where history intertwines with volcanoes to create archaeology

The Sciara del Fuoco

Lipari Castle, “fused” with the lava

Lipari at the centre of Mediterranean history

Panarea and its history

The 2002-03 eruption

The malleability of Vulcano’s mud