The Venus Anadyomene of Guy de Maupassant

Venus Anadyomene, also called Venus Landolina, is a deity who “rises from the sea”, just like the city of Syracuse.
The statue, a copy from the Roman age in the 2nd century AD, is kept at the “Paolo Orsi” Archaeological Museum in Syracuse.

Venere Landolina
L’isola di Ortigia è stata paragonata per la sua bellezza alla statua della Venere Anadiomene, detta anche Venere Landolina. La statua, a grandezza naturale, è una copia di età romana del II sec. d.C. ed è conservata al Museo Archeologico “Paolo Orsi” di Siracusa. L’opera è priva del capo e del braccio destro. Con la mano sinistra regge un panno calato sui fianchi, che si apre teatralmente gonfiato dal vento, rivelando le gambe della dea. La figura appare prosperosa, dal seno florido e l’anca robusta.

The goddess has no head or right arm, with which, according to iconography, she uses to cover her breasts. In her left hand she holds a cloth dropped on her hips, which opens theatrically blown by the wind, revealing the goddess’ legs.
La Venere Paolo OrsiThe statue is full-figured with round breasts and ample hips. She is a carnal and opulent goddess, like the Sicilian land.
During his tour of Sicily, Guy de Maupassant fell victim to the charm of the Syracuse Venus, describing the statue in the following way: “No head, missing an arm, but never the human form seemed to me most wonderful and seductive.”